"Intended to serve as an introduction to both the linguistic and also the practical study of spoken English"
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A phrase like this is Victorian modesty doing a lot of strategic work. Sweet doesn’t promise a manifesto; he promises an introduction. That self-limiting frame is classic scholar’s rhetoric, but it also smuggles in a quiet provocation: spoken English deserves to be studied with the same seriousness as written English, and it demands tools that are both linguistic (systematic, descriptive) and practical (usable, teachable, transferable).
The hinge is “both.” Sweet is positioning himself against a 19th-century language culture that treated “proper” English as something you encountered on the page, cleaned up by grammar books and social gatekeeping. By insisting on spoken English, he’s elevating the messy, variable, living thing people actually say. By pairing “linguistic” with “practical,” he’s refusing the common split between ivory-tower philology and real-world instruction. He’s telling readers: analysis without application is sterile; practice without analysis is superstition.
The subtext is also institutional. Sweet wrote in a period when English studies were professionalizing and when phonetics and comparative linguistics were gaining scientific prestige. “Intended to serve” signals utility, a bid for legitimacy in a culture that was learning to trust “methods” and “study” as markers of seriousness. It’s an argument for a new kind of expertise: not the schoolmaster policing errors, but the linguist mapping sound, usage, and change. The understated tone is the pitch; the scope is the revolution.
The hinge is “both.” Sweet is positioning himself against a 19th-century language culture that treated “proper” English as something you encountered on the page, cleaned up by grammar books and social gatekeeping. By insisting on spoken English, he’s elevating the messy, variable, living thing people actually say. By pairing “linguistic” with “practical,” he’s refusing the common split between ivory-tower philology and real-world instruction. He’s telling readers: analysis without application is sterile; practice without analysis is superstition.
The subtext is also institutional. Sweet wrote in a period when English studies were professionalizing and when phonetics and comparative linguistics were gaining scientific prestige. “Intended to serve” signals utility, a bid for legitimacy in a culture that was learning to trust “methods” and “study” as markers of seriousness. It’s an argument for a new kind of expertise: not the schoolmaster policing errors, but the linguist mapping sound, usage, and change. The understated tone is the pitch; the scope is the revolution.
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| Topic | Book |
|---|---|
| Source | Help us find the source |
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