"Interest makes some people blind, and others quick-sighted"
About this Quote
Self-interest is the great stagehand in Beaumont's theater: it can dim the lights or snap them on, depending on what the plot requires. "Interest makes some people blind, and others quick-sighted" is a compact diagnosis of how motive distorts perception, and it lands because it refuses the comforting idea that bias is just stupidity. Beaumont points out a nastier truth: the same force that produces denial can also produce startling clarity.
The line plays like a moral aphorism, but its real bite is social. In the Jacobean world Beaumont wrote for, "interest" isn't just curiosity; it's advantage, patronage, inheritance, position. That meaning turns the sentence into a map of courtly behavior and commercial life: when the truth threatens your stake, you suddenly can't see; when it can be leveraged, you become a hawk. The subtext is that perception is often tactical. People don't merely misunderstand; they manage what they allow themselves to know.
Its craft is in the balance and the speed. "Blind" and "quick-sighted" are blunt, almost physical states, turning ethics into eyesight. The symmetry makes it feel inevitable, like a law of human mechanics rather than a sermon. Beaumont, a playwright, is also slyly defending the dramatist's eye: the stage is where interest-driven blindness is exposed and interest-driven sharpness becomes a tell, a giveaway. It's a warning with an artist's relish - everyone has a motive, and motive rewrites the script of what counts as reality.
The line plays like a moral aphorism, but its real bite is social. In the Jacobean world Beaumont wrote for, "interest" isn't just curiosity; it's advantage, patronage, inheritance, position. That meaning turns the sentence into a map of courtly behavior and commercial life: when the truth threatens your stake, you suddenly can't see; when it can be leveraged, you become a hawk. The subtext is that perception is often tactical. People don't merely misunderstand; they manage what they allow themselves to know.
Its craft is in the balance and the speed. "Blind" and "quick-sighted" are blunt, almost physical states, turning ethics into eyesight. The symmetry makes it feel inevitable, like a law of human mechanics rather than a sermon. Beaumont, a playwright, is also slyly defending the dramatist's eye: the stage is where interest-driven blindness is exposed and interest-driven sharpness becomes a tell, a giveaway. It's a warning with an artist's relish - everyone has a motive, and motive rewrites the script of what counts as reality.
Quote Details
| Topic | Wisdom |
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