"Is it not strange that desire should so many years outlive performance?"
About this Quote
The subtext is both erotic and existential. On the surface, it’s about sex, aging, and the humiliations of time: appetite persists while the instruments of satisfaction rust. Underneath, it’s about ambition and identity. We continue to hunger for versions of ourselves we can no longer convincingly enact - the lover, the hero, the conqueror, the ingenue. Performance is the realm of the visible and measurable; desire is private, renewable, and therefore harder to retire. That mismatch creates comedy in Shakespeare (the aging fool chasing youth) and tragedy (the old king still craving control).
Context matters: Shakespeare wrote for a culture obsessed with lineage, potency, reputation - public "performance" in every sense. Theater itself turns desire into spectacle, then immediately replaces it with the next scene, the next plot, the next object. So the line doubles as a wry meta-commentary on drama: the audience’s longing to be moved outlasts any single actor’s ability to deliver.
It works because it refuses consolation. There’s no moral lesson, just a dry observation that human wanting is stubbornly, sometimes absurdly, built to outlast our capacity to fulfill it.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Shakespeare, William. (2026, January 14). Is it not strange that desire should so many years outlive performance? FixQuotes. https://fixquotes.com/quotes/is-it-not-strange-that-desire-should-so-many-137844/
Chicago Style
Shakespeare, William. "Is it not strange that desire should so many years outlive performance?" FixQuotes. January 14, 2026. https://fixquotes.com/quotes/is-it-not-strange-that-desire-should-so-many-137844/.
MLA Style (9th ed.)
"Is it not strange that desire should so many years outlive performance?" FixQuotes, 14 Jan. 2026, https://fixquotes.com/quotes/is-it-not-strange-that-desire-should-so-many-137844/. Accessed 21 Feb. 2026.









