"Issues deals with the issues I had, the fears I had and it isn't a 'nice' album but fears and depressions are not particularly nice"
About this Quote
Jonathan Davis isn’t apologizing for making something ugly; he’s daring you to stop demanding beauty from pain. By insisting that Issues “deals with the issues I had,” he frames the album as reportage from the inside, not performance for the outside. That repetition is doing work: it collapses the distance between the public product and the private mess, signaling that the record’s subject isn’t a theme but a lived condition.
The blunt pivot to “it isn’t a ‘nice’ album” reads like a preemptive rebuttal to critics and casual listeners who equate polish with value. The scare quotes around “nice” are the tell. Davis treats “nice” as a social expectation, a cosmetic standard people impose on art so they can consume discomfort without feeling implicated. He refuses that bargain. If the music is claustrophobic, abrasive, or emotionally raw, that’s not a defect; it’s fidelity.
The subtext is also about genre politics. Korn’s late-’90s nu-metal moment was constantly litigated as juvenile, excessive, melodramatic. Davis flips that accusation into an ethic: fear and depression aren’t tasteful, linear narratives. They loop, spike, and distort. So the album’s harshness becomes an argument that mental anguish shouldn’t have to translate itself into palatable language to be believed.
Context matters: this is a frontman speaking from a period when mainstream rock was both commodifying vulnerability and mocking it. Davis claims the right to make art that doesn’t soothe, because the source material doesn’t either.
The blunt pivot to “it isn’t a ‘nice’ album” reads like a preemptive rebuttal to critics and casual listeners who equate polish with value. The scare quotes around “nice” are the tell. Davis treats “nice” as a social expectation, a cosmetic standard people impose on art so they can consume discomfort without feeling implicated. He refuses that bargain. If the music is claustrophobic, abrasive, or emotionally raw, that’s not a defect; it’s fidelity.
The subtext is also about genre politics. Korn’s late-’90s nu-metal moment was constantly litigated as juvenile, excessive, melodramatic. Davis flips that accusation into an ethic: fear and depression aren’t tasteful, linear narratives. They loop, spike, and distort. So the album’s harshness becomes an argument that mental anguish shouldn’t have to translate itself into palatable language to be believed.
Context matters: this is a frontman speaking from a period when mainstream rock was both commodifying vulnerability and mocking it. Davis claims the right to make art that doesn’t soothe, because the source material doesn’t either.
Quote Details
| Topic | Mental Health |
|---|---|
| Source | Help us find the source |
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