"It does me good to write a letter which is not a response to a demand, a gratuitous letter, so to speak, which has accumulated in me like the waters of a reservoir"
About this Quote
Miller turns the simple act of letter-writing into a small rebellion against obligation. The key move is his contempt for the “response to a demand” letter: correspondence as social invoice, paid on time to keep the machinery of relationships, publishers, and creditors running. Against that, he praises the “gratuitous letter” not as polite extra, but as a psychic necessity - writing that answers inward pressure rather than external expectation.
The reservoir image is doing heavy lifting. A reservoir is engineered storage: contained, accumulating, potentially overwhelming if the gates stay closed. Miller’s subtext is bodily and slightly dangerous: unsent language doesn’t just disappear; it backs up. The “good” he feels isn’t moral goodness, it’s relief - the release of stored force. He frames the act as drainage, a controlled spill that prevents stagnation. That metaphor also slyly elevates spontaneity into craft: even “gratuitous” writing has a system behind it, a built environment of habits, repression, and delayed expression.
Context matters: Miller’s career is a long argument with respectable literary life, with its contracts, decorum, and demand-driven production. He wrote from the edges - expatriate, broke, famously allergic to propriety - and letters often served as both lifeline and laboratory. Here, the intent is to sanctify uncommissioned expression: not content as product, but language as accumulated weather that has to come down somewhere.
The reservoir image is doing heavy lifting. A reservoir is engineered storage: contained, accumulating, potentially overwhelming if the gates stay closed. Miller’s subtext is bodily and slightly dangerous: unsent language doesn’t just disappear; it backs up. The “good” he feels isn’t moral goodness, it’s relief - the release of stored force. He frames the act as drainage, a controlled spill that prevents stagnation. That metaphor also slyly elevates spontaneity into craft: even “gratuitous” writing has a system behind it, a built environment of habits, repression, and delayed expression.
Context matters: Miller’s career is a long argument with respectable literary life, with its contracts, decorum, and demand-driven production. He wrote from the edges - expatriate, broke, famously allergic to propriety - and letters often served as both lifeline and laboratory. Here, the intent is to sanctify uncommissioned expression: not content as product, but language as accumulated weather that has to come down somewhere.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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