"It doesn't interest me to be Harrison Ford. It interests me to be Mike Pomeroy and Indiana Jones and Jack Ryan. I don't want to be in the Harrison Ford business. I take what I do seriously, but I don't take myself seriously"
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Ford is quietly refusing the modern celebrity contract: the demand that your job become your identity, your personality become a product, your private self become content. By drawing a line between “Harrison Ford” and the people he plays, he’s not pretending acting is trivial; he’s protecting it. The sly move is calling fame a “business” he doesn’t want to run. That phrasing frames stardom not as a perk but as a managerial role - branding, self-mythologizing, constant public maintenance. He’s saying the labor he values is the craft, not the cultivation of a persona.
The name-checks do double duty. Mike Pomeroy, Indiana Jones, Jack Ryan: wildly different men, each carrying a chunk of America’s fantasies - blue-collar grit, pulp heroism, institutional competence. Ford’s subtext is that the fun (and the seriousness) is in inhabiting those fantasies, not in becoming a fixed emblem of them. If he “were” Harrison Ford in the way audiences and studios prefer, he’d be stuck playing the same reassuring archetype forever, reduced to a trademark.
“I take what I do seriously, but I don’t take myself seriously” is the pressure valve. It signals professionalism without sanctimony, discipline without the self-importance that celebrity culture rewards. Coming from an actor who became a face of blockbuster masculinity, it reads as a subtle rebuttal to ego as performance: he’s telling you the work matters, the worship doesn’t.
The name-checks do double duty. Mike Pomeroy, Indiana Jones, Jack Ryan: wildly different men, each carrying a chunk of America’s fantasies - blue-collar grit, pulp heroism, institutional competence. Ford’s subtext is that the fun (and the seriousness) is in inhabiting those fantasies, not in becoming a fixed emblem of them. If he “were” Harrison Ford in the way audiences and studios prefer, he’d be stuck playing the same reassuring archetype forever, reduced to a trademark.
“I take what I do seriously, but I don’t take myself seriously” is the pressure valve. It signals professionalism without sanctimony, discipline without the self-importance that celebrity culture rewards. Coming from an actor who became a face of blockbuster masculinity, it reads as a subtle rebuttal to ego as performance: he’s telling you the work matters, the worship doesn’t.
Quote Details
| Topic | Humility |
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