"It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground"
About this Quote
There’s a disarming shrug baked into Jon Crosby’s assessment: global success doesn’t feel like success when your day-to-day life hasn’t caught up yet. “It doesn’t really seem any different anywhere” isn’t false modesty so much as the lived reality of a band that’s traveled the hard way long enough to stop trusting the hype machine. Fame, in this framing, isn’t fireworks; it’s a slow change in room temperature.
The telling detail is Australia. It reads like an accidental epicenter, a reminder that music culture isn’t a neat map radiating outward from New York or L.A. Scenes ignite where they ignite, sometimes because a radio programmer takes a chance, sometimes because a particular mood in a particular place is hungry for exactly that sound. Saying “we’re biggest in Australia” carries a faint astonishment, like he’s still checking the data to make sure it’s real.
The “underground” to “overground” switch is where the subtext lands. Crosby isn’t just narrating a career uptick; he’s naming an identity crisis. Underground is not merely a sales tier, it’s a moral category in rock: authenticity, community, being known by the right people for the right reasons. “For some reason” is doing heavy lifting, softening ambition into accident, protecting the band from the suspicion that they chased the mainstream.
Contextually, it captures that fragile moment when a cult act senses the spotlight turning and tries to keep their footing before the story hardens into a brand.
The telling detail is Australia. It reads like an accidental epicenter, a reminder that music culture isn’t a neat map radiating outward from New York or L.A. Scenes ignite where they ignite, sometimes because a radio programmer takes a chance, sometimes because a particular mood in a particular place is hungry for exactly that sound. Saying “we’re biggest in Australia” carries a faint astonishment, like he’s still checking the data to make sure it’s real.
The “underground” to “overground” switch is where the subtext lands. Crosby isn’t just narrating a career uptick; he’s naming an identity crisis. Underground is not merely a sales tier, it’s a moral category in rock: authenticity, community, being known by the right people for the right reasons. “For some reason” is doing heavy lifting, softening ambition into accident, protecting the band from the suspicion that they chased the mainstream.
Contextually, it captures that fragile moment when a cult act senses the spotlight turning and tries to keep their footing before the story hardens into a brand.
Quote Details
| Topic | Music |
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