"It felt like a very, very weird thing to go on the set on September 13th. I would never want to glorify that"
About this Quote
There’s a particular kind of chill in Kirshner’s phrasing: not fear, exactly, but the nausea of realizing your workplace has been pulled into history’s blast radius. “September 13th” does most of the heavy lifting here. It’s close enough to 9/11 to feel like the air is still gritty, but far enough that the machinery of normal life is already restarting. Going back “on the set” becomes a moral problem, not just a scheduling one. Entertainment, which usually sells escape, suddenly risks looking like denial.
Kirshner’s insistence on “very, very weird” is telling. It’s not polished political speech; it’s the kind of doubling people use when they’re trying to be accurate about an emotion that feels socially dangerous to describe. “Weird” is a softer word than “wrong,” but it still signals dissonance: the surreal act of pretending, performing, generating make-believe while real catastrophe is still raw. The line reads like a preemptive defense against the accusation that artists rushed to capitalize on tragedy, or that any depiction of violence might be retroactively stained by the images that were looping on every screen.
“I would never want to glorify that” lands as both ethical boundary and career self-awareness. She’s not claiming art shouldn’t touch trauma; she’s drawing a line at turning it into spectacle. The subtext is a warning about the camera’s appetite: once you’re filming again, the medium can aestheticize anything. Kirshner is naming the discomfort of being complicit in that transformation, even unintentionally.
Kirshner’s insistence on “very, very weird” is telling. It’s not polished political speech; it’s the kind of doubling people use when they’re trying to be accurate about an emotion that feels socially dangerous to describe. “Weird” is a softer word than “wrong,” but it still signals dissonance: the surreal act of pretending, performing, generating make-believe while real catastrophe is still raw. The line reads like a preemptive defense against the accusation that artists rushed to capitalize on tragedy, or that any depiction of violence might be retroactively stained by the images that were looping on every screen.
“I would never want to glorify that” lands as both ethical boundary and career self-awareness. She’s not claiming art shouldn’t touch trauma; she’s drawing a line at turning it into spectacle. The subtext is a warning about the camera’s appetite: once you’re filming again, the medium can aestheticize anything. Kirshner is naming the discomfort of being complicit in that transformation, even unintentionally.
Quote Details
| Topic | Legacy & Remembrance |
|---|---|
| Source | Help us find the source |
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