"It is a wretched taste to be gratified with mediocrity when the excellent lies before us"
About this Quote
Disraeli’s line skewers a very particular kind of complacency: not ignorance, but preference. “Wretched taste” doesn’t mean a lack of access to greatness; it implies a moral-aesthetic failure, a choice to settle even when something better is right there, unmissable. That’s what gives the sentence its sting. The mediocre isn’t presented as an unfortunate default, it’s a guilty pleasure - “gratified” suggests indulgence, like snacking on junk when a good meal is on the table.
The craft is in the contrast. “Mediocrity” is abstract and dull by design; “the excellent lies before us” turns excellence into a physical presence, almost a reproachful object. Disraeli stages the situation like a parlor scene: the best is within reach, yet you avert your eyes. The reader is forced to locate the problem not in circumstance but in appetite.
Context matters. Writing in a period when taste was treated as social destiny - a marker of education, class, and seriousness - Disraeli is defending standards against a growing marketplace of easy entertainment and secondhand opinions. It reads like a warning about cultural drift: once people learn to be satisfied with “good enough,” they stop demanding more from artists, institutions, and themselves. The subtext is disciplinary, even elitist, but also bracingly modern: convenience doesn’t just change what we consume; it changes what we’re capable of wanting.
The craft is in the contrast. “Mediocrity” is abstract and dull by design; “the excellent lies before us” turns excellence into a physical presence, almost a reproachful object. Disraeli stages the situation like a parlor scene: the best is within reach, yet you avert your eyes. The reader is forced to locate the problem not in circumstance but in appetite.
Context matters. Writing in a period when taste was treated as social destiny - a marker of education, class, and seriousness - Disraeli is defending standards against a growing marketplace of easy entertainment and secondhand opinions. It reads like a warning about cultural drift: once people learn to be satisfied with “good enough,” they stop demanding more from artists, institutions, and themselves. The subtext is disciplinary, even elitist, but also bracingly modern: convenience doesn’t just change what we consume; it changes what we’re capable of wanting.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
More Quotes by Isaac
Add to List







