"It is better to have a permanent income than to be fascinating"
About this Quote
Wilde’s genius here is that he stages a duel between romance and rent, then lets the ledger win with a smirk. “Fascinating” is one of his favorite social currencies: the quality the late-Victorian salon pretends to prize above all else, the aura that makes you a topic, a temptation, a story. But he frames it as a shaky asset, a kind of aesthetic cryptocurrency - volatile, attention-driven, and ultimately useless when the bills arrive. “Permanent income,” by contrast, is aggressively unglamorous, the phrase of accountants and anxious uncles. Wilde makes it sound like a life raft, then twists the knife: the supposedly dull thing is “better.”
The intent is less self-help than sabotage. Wilde punctures the era’s moral hierarchy, where artistic charm is treated as proof of higher character, and where poverty is romanticized as evidence of spiritual purity. He’s also taking aim at the marketplace that consumes artists: society loves “fascinating” people as entertainment, but rarely wants to bankroll them. The joke carries an aftertaste of class realism - fascination can get you invited; money keeps you safe.
Context matters. Wilde lived the contradiction: a man who minted persona as art, and who also understood the price of dependence. Coming from an Ireland marked by political and economic precarity, and writing in a Britain obsessed with respectability, he knew how quickly glamour evaporates when scandal hits. The line is a dandy’s confession disguised as a quip: charm is lovely, but capital is mercy.
The intent is less self-help than sabotage. Wilde punctures the era’s moral hierarchy, where artistic charm is treated as proof of higher character, and where poverty is romanticized as evidence of spiritual purity. He’s also taking aim at the marketplace that consumes artists: society loves “fascinating” people as entertainment, but rarely wants to bankroll them. The joke carries an aftertaste of class realism - fascination can get you invited; money keeps you safe.
Context matters. Wilde lived the contradiction: a man who minted persona as art, and who also understood the price of dependence. Coming from an Ireland marked by political and economic precarity, and writing in a Britain obsessed with respectability, he knew how quickly glamour evaporates when scandal hits. The line is a dandy’s confession disguised as a quip: charm is lovely, but capital is mercy.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | A Woman of No Importance (play), Oscar Wilde, 1893. |
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