"It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets"
About this Quote
Voltaire lands the blade where polite society hides its blood: in the sanctimony of “law” and the pageantry that launders violence into virtue. The line reads like a legal maxim twisted into a punchline, and that twist is the point. “It is forbidden to kill” sets up the comforting fiction of moral clarity, then “therefore” arrives with mock-logical obedience, as if the speaker is dutifully following reason to its conclusion. What follows is an indictment of reason abused: the prohibition is real only for the small-time, the unsanctioned, the uncostumed.
The subtext is that states don’t abolish killing; they monopolize it. Voltaire isn’t mainly interested in the murderer as a lone deviant. He’s aiming at the social machinery that turns mass killing into something ceremonious: uniforms, anthems, “trumpets.” Those trumpets aren’t decoration; they’re the alibi. They supply narrative (war, glory, necessity) and collective participation (crowds, flags, applause) so that violence stops looking like crime and starts looking like policy.
Context matters: Voltaire writes in an era of dynastic wars, public executions, religious persecutions, and monarchic authority that claims moral legitimacy while practicing brutality at scale. His Enlightenment strategy is to make hypocrisy visible by shrinking the distance between battlefield and back alley. Once you see that the difference is largely paperwork and music, the moral hierarchy collapses. The joke stings because it’s still true: legality often tracks power, not innocence, and the loudest trumpets still drown out the screaming.
The subtext is that states don’t abolish killing; they monopolize it. Voltaire isn’t mainly interested in the murderer as a lone deviant. He’s aiming at the social machinery that turns mass killing into something ceremonious: uniforms, anthems, “trumpets.” Those trumpets aren’t decoration; they’re the alibi. They supply narrative (war, glory, necessity) and collective participation (crowds, flags, applause) so that violence stops looking like crime and starts looking like policy.
Context matters: Voltaire writes in an era of dynastic wars, public executions, religious persecutions, and monarchic authority that claims moral legitimacy while practicing brutality at scale. His Enlightenment strategy is to make hypocrisy visible by shrinking the distance between battlefield and back alley. Once you see that the difference is largely paperwork and music, the moral hierarchy collapses. The joke stings because it’s still true: legality often tracks power, not innocence, and the loudest trumpets still drown out the screaming.
Quote Details
| Topic | War |
|---|---|
| Source | Rejected source: The lock and key library; classic mystery and detective s... (1909)IA: lockkeylibrarycl0000juli
Evidence: ss the balls with infinite skill these men are not generally great talkers but when they talk it is of nothing less than spain vienna italy or saintpeter Other candidates (2) Voltaire (Voltaire) compilation98.6% u son des trompettes it is forbidden to kill therefore all murderers are punished unless they kill in large numbers a... The Bounds of Defense (Bradley Jay Strawser, 2023) compilation96.8% ... Voltaire rightly mocks such thinking when he writes , “ It is forbidden to kill ; therefore all murderers are pun... |
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