"It is in our idleness, in our dreams, that the submerged truth sometimes comes to the top"
About this Quote
Woolf is making a sly case for the mind’s off-hours as a kind of contraband truth-teller. “Idleness” isn’t a moral failure here; it’s a deliberate refusal of the productivity script that Victorian culture - and plenty of modern culture - uses to police especially women’s time. In Woolf’s world, the demand to be useful is also a demand to be legible. Dreams and drifting, by contrast, loosen the social corset. They give the self room to speak in its own odd syntax.
The phrase “submerged truth” is doing the heavy lifting. Woolf’s truths aren’t courtroom facts; they’re feelings, contradictions, half-formed knowledge that gets forced underwater by etiquette, routine, and the daily performance of being “fine.” The image of something rising is important too: she’s describing revelation as buoyancy, not conquest. You don’t wrestle these truths into daylight; you stop thrashing long enough for them to float up.
Context matters: Woolf is writing in a period fascinated by the unconscious (Freud in the air, shell shock in the streets) and personally marked by mental illness, grief, and the tight social choreography of the English literary class. Her modernist technique - interior monologue, porous boundaries between thought and perception - is basically a method for accessing what “idleness” allows. The subtext is a rebuke and a permission slip: if you want honesty, don’t only interrogate yourself under fluorescent rationality. Let your mind wander, and it will eventually tell on you.
The phrase “submerged truth” is doing the heavy lifting. Woolf’s truths aren’t courtroom facts; they’re feelings, contradictions, half-formed knowledge that gets forced underwater by etiquette, routine, and the daily performance of being “fine.” The image of something rising is important too: she’s describing revelation as buoyancy, not conquest. You don’t wrestle these truths into daylight; you stop thrashing long enough for them to float up.
Context matters: Woolf is writing in a period fascinated by the unconscious (Freud in the air, shell shock in the streets) and personally marked by mental illness, grief, and the tight social choreography of the English literary class. Her modernist technique - interior monologue, porous boundaries between thought and perception - is basically a method for accessing what “idleness” allows. The subtext is a rebuke and a permission slip: if you want honesty, don’t only interrogate yourself under fluorescent rationality. Let your mind wander, and it will eventually tell on you.
Quote Details
| Topic | Truth |
|---|---|
| Source | Virginia Woolf — A Room of One's Own (1929). The line appears in Woolf's extended essay; included in standard editions of A Room of One's Own. |
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