"It is not whether you really cry. It's whether the audience thinks you are crying"
About this Quote
The intent is practical, even a little ruthless. She is defending craft against the cult of "feeling it for real" that grew around mid-century method acting. Bergman came up through a tradition that prized precision: how you angle your face to the light, how breath catches, how stillness can do what sobbing cannot. The audience isnt judging your inner life; theyre decoding signals, and the camera is a lie detector for the wrong things. A true emotional state can look flat on screen; a controlled performance can look devastating.
The subtext is about power. The audience is the final editor of your interiority, and their belief is the currency you are paid in. That can sound cynical, but its also democratic: performance exists in the space between actor and viewer, not inside the actor alone. Bergmans genius was making that transaction feel intimate. She is naming the quiet bargain: you dont owe the audience your pain; you owe them the experience of it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Bergman, Ingrid. (2026, January 17). It is not whether you really cry. It's whether the audience thinks you are crying. FixQuotes. https://fixquotes.com/quotes/it-is-not-whether-you-really-cry-its-whether-the-31599/
Chicago Style
Bergman, Ingrid. "It is not whether you really cry. It's whether the audience thinks you are crying." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/it-is-not-whether-you-really-cry-its-whether-the-31599/.
MLA Style (9th ed.)
"It is not whether you really cry. It's whether the audience thinks you are crying." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/it-is-not-whether-you-really-cry-its-whether-the-31599/. Accessed 12 Feb. 2026.








