"It is possible that the contemplation of cruelty will not make us humane but cruel; that the reiteration of the badness of our spiritual condition will make us consent to it"
About this Quote
Trilling is warning against a moral feedback loop that feels bracingly contemporary: stare long enough at brutality and you don’t necessarily become kinder; you may become acclimated, even complicit. The sentence is built on a cool, conditional dread - “It is possible” - the critic’s modesty masking a more severe diagnosis. He’s not sermonizing about evil; he’s dissecting how our attention works, how habits of mind quietly train the conscience.
The first barb lands on a liberal piety Trilling knew well: that exposure to suffering automatically refines us. He suggests the opposite can happen. “Contemplation” is key: not participation in cruelty, but the spectator’s long look - the kind taken in by art, news, ideology, even moral education. If cruelty becomes our primary object of thought, it can start to feel normal, aesthetically interesting, intellectually “realistic.” You learn its grammar. You begin to admire the tough-mindedness it seems to require. Cynicism slides in wearing the costume of honesty.
Then he tightens the screw: constant rehearsal of “the badness of our spiritual condition” can end not in reform but in resignation. The subtext is anti-romantic and anti-masochistic: self-laceration is not the same as self-improvement. Trilling, writing in the shadow of totalitarianism and postwar disillusion, is alert to a culture that confuses diagnosis with cure. Name the rot often enough and people may treat it as the weather - regrettable, inevitable, outside responsibility.
It’s a critic’s ethics in miniature: representation has consequences, and pessimism, marketed as sophistication, can be its own form of consent.
The first barb lands on a liberal piety Trilling knew well: that exposure to suffering automatically refines us. He suggests the opposite can happen. “Contemplation” is key: not participation in cruelty, but the spectator’s long look - the kind taken in by art, news, ideology, even moral education. If cruelty becomes our primary object of thought, it can start to feel normal, aesthetically interesting, intellectually “realistic.” You learn its grammar. You begin to admire the tough-mindedness it seems to require. Cynicism slides in wearing the costume of honesty.
Then he tightens the screw: constant rehearsal of “the badness of our spiritual condition” can end not in reform but in resignation. The subtext is anti-romantic and anti-masochistic: self-laceration is not the same as self-improvement. Trilling, writing in the shadow of totalitarianism and postwar disillusion, is alert to a culture that confuses diagnosis with cure. Name the rot often enough and people may treat it as the weather - regrettable, inevitable, outside responsibility.
It’s a critic’s ethics in miniature: representation has consequences, and pessimism, marketed as sophistication, can be its own form of consent.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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