"It is the artist who realizes that there is a supreme force above him and works gladly away as a small apprentice under God's heaven"
About this Quote
Solzhenitsyn is smuggling a theological grenade into an aesthetic claim. The line sounds humble, almost pastoral: the artist as a "small apprentice" under "God's heaven". But coming from a writer who survived the Soviet labor camp system and made a career out of telling the truth in a culture built on enforced lies, the humility is also a dare. If there is a "supreme force above him", it is not the Party, not History with a capital H, not the fashionable idea that art answers only to itself. It is an authority that can't be nationalized.
The phrasing matters. "Works gladly away" is not romantic genius-talk; it's craft talk, the daily discipline of making something in the shadow of judgment. "Apprentice" implies apprenticeship to a standard outside the self - moral, metaphysical, non-negotiable. Solzhenitsyn is rejecting the modern pose that the artist is sovereign and self-authoring. His ideal writer is less a provocateur than a servant, accountable to an order that makes propaganda look small.
Context sharpens the intent: a Soviet world where writers were expected to be engineers of the human soul on behalf of the state. By relocating the "supreme force" to God, Solzhenitsyn gives art a rival jurisdiction. The subtext is bracingly political: true art requires a higher loyalty, and that loyalty is exactly what totalitarian systems cannot tolerate.
The phrasing matters. "Works gladly away" is not romantic genius-talk; it's craft talk, the daily discipline of making something in the shadow of judgment. "Apprentice" implies apprenticeship to a standard outside the self - moral, metaphysical, non-negotiable. Solzhenitsyn is rejecting the modern pose that the artist is sovereign and self-authoring. His ideal writer is less a provocateur than a servant, accountable to an order that makes propaganda look small.
Context sharpens the intent: a Soviet world where writers were expected to be engineers of the human soul on behalf of the state. By relocating the "supreme force" to God, Solzhenitsyn gives art a rival jurisdiction. The subtext is bracingly political: true art requires a higher loyalty, and that loyalty is exactly what totalitarian systems cannot tolerate.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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