"It is the creative potential itself in human beings that is the image of God"
About this Quote
A radical rerouting hides inside Daly's pious phrasing: she relocates "the image of God" from anatomy, hierarchy, and obedience to the one human capacity that can never be fully policed - creativity. In a tradition that has often treated God-talk as a justification for fixed roles (especially gendered ones), she makes the divine likeness less a stamp you possess than a force you exercise. The move is slyly insurgent: if creativity is the imago Dei, then any system that constrains women's imaginative agency is not merely unjust but theologically suspect.
The intent is both devotional and disruptive. Daly isn't trying to prettify human self-expression; she's mounting a doctrinal challenge to patriarchal Christianity's default association of God with male authority. By emphasizing "potential", she shifts the focus from what humans are to what they can become. Potential implies unfinishedness, becoming, risk. That undercuts the comfort of settled dogma and sanctified social arrangements. It also reframes sin less as rule-breaking and more as the refusal or suppression of creative becoming - a spiritual anesthetic.
Context matters: Daly wrote as a feminist theologian in the wake of second-wave feminism, when churches were being pressured to reckon with exclusion, ordination, and the symbolic violence of masculine God-language. Her line functions like a theological loophole: keep the tradition's key term (imago Dei), change its content, and suddenly the sacred is no longer a mirror of existing power but an argument against it. Creativity here is not artsy hobbyism; it's the power to name, to imagine alternatives, to birth new worlds - precisely what institutions fear most when those historically silenced start speaking.
The intent is both devotional and disruptive. Daly isn't trying to prettify human self-expression; she's mounting a doctrinal challenge to patriarchal Christianity's default association of God with male authority. By emphasizing "potential", she shifts the focus from what humans are to what they can become. Potential implies unfinishedness, becoming, risk. That undercuts the comfort of settled dogma and sanctified social arrangements. It also reframes sin less as rule-breaking and more as the refusal or suppression of creative becoming - a spiritual anesthetic.
Context matters: Daly wrote as a feminist theologian in the wake of second-wave feminism, when churches were being pressured to reckon with exclusion, ordination, and the symbolic violence of masculine God-language. Her line functions like a theological loophole: keep the tradition's key term (imago Dei), change its content, and suddenly the sacred is no longer a mirror of existing power but an argument against it. Creativity here is not artsy hobbyism; it's the power to name, to imagine alternatives, to birth new worlds - precisely what institutions fear most when those historically silenced start speaking.
Quote Details
| Topic | God |
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