"It is true that I am often startled and even angered and repulsed by the strange directions and provocative content of new forms that seem to pop up every few months"
About this Quote
Rockefeller frames himself as a man of measured stewardship jolted by a culture that refuses to be stewarded. The sentence is built like a reluctant confession: “It is true that I am often…” concedes a criticism before anyone else can lodge it, the rhetorical equivalent of loosening a tie before a deposition. Then come the stacked reactions - “startled and even angered and repulsed” - a crescendo of affect that signals how deeply aesthetic change can register as moral threat, especially for someone whose power was forged in the logic of stability.
What makes the line work is its careful vagueness. “Strange directions” and “provocative content” name no specific art, music, or politics; the targets stay blurry, which lets the anxiety expand to whatever the listener already suspects: counterculture, avant-garde art, permissive sexuality, radical politics. “New forms that seem to pop up every few months” is the real tell. “Pop up” reduces movements to nuisances, like weeds or spam, while “every few months” paints modernity as an exhausting subscription service of transgression.
Contextually, Rockefeller is a mid-century titan watching the postwar consensus fray: mass media accelerating trend cycles, youth culture becoming a market and a menace, institutions losing their monopoly on taste. The subtext isn’t just discomfort; it’s a plea for legibility. When your worldview is built on predictability - quarterly reports, orderly succession, controlled risk - cultural volatility feels like economic volatility’s unruly cousin. The line is less about art than about authority: who gets to define “provocative,” and who is expected to live with it.
What makes the line work is its careful vagueness. “Strange directions” and “provocative content” name no specific art, music, or politics; the targets stay blurry, which lets the anxiety expand to whatever the listener already suspects: counterculture, avant-garde art, permissive sexuality, radical politics. “New forms that seem to pop up every few months” is the real tell. “Pop up” reduces movements to nuisances, like weeds or spam, while “every few months” paints modernity as an exhausting subscription service of transgression.
Contextually, Rockefeller is a mid-century titan watching the postwar consensus fray: mass media accelerating trend cycles, youth culture becoming a market and a menace, institutions losing their monopoly on taste. The subtext isn’t just discomfort; it’s a plea for legibility. When your worldview is built on predictability - quarterly reports, orderly succession, controlled risk - cultural volatility feels like economic volatility’s unruly cousin. The line is less about art than about authority: who gets to define “provocative,” and who is expected to live with it.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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