"It is very difficult for people to come in contact with their own emotions and their own sensibilities"
About this Quote
A working actor admitting that people can barely access their own feelings is less a self-help platitude than a sideways critique of modern self-management. Peter Davison isn’t talking about the melodramatic kind of emotion we perform on cue; he’s pointing at the everyday, low-grade disconnection that makes real sensation feel embarrassing, inconvenient, or strangely illegible. The line lands because it’s phrased as a practical obstacle, not a moral failing: “very difficult” suggests friction, resistance, even training required. That’s an actor’s worldview smuggled into a diagnosis of ordinary life.
The subtext is quietly damning. If emotions and “sensibilities” are hard to contact, then we’re living at a distance from ourselves, relying on scripts: social niceties, workplace composure, the default irony that keeps vulnerability from showing. Davison’s pairing matters. Emotions are the obvious stuff (sadness, anger), while sensibilities are the subtler registers: taste, empathy, the ability to be moved. Losing access to those isn’t just numbness; it’s a cultural thinning, where life becomes manageable but less textured.
Coming from an actor, the remark also flips an assumption. We tend to think performers are the ones faking feeling. Davison implies the opposite: performance can be a route back to honesty, a structured way to reach what daily life trains you to suppress. The context reads as a defense of craft and an indictment of a culture that prizes control over contact.
The subtext is quietly damning. If emotions and “sensibilities” are hard to contact, then we’re living at a distance from ourselves, relying on scripts: social niceties, workplace composure, the default irony that keeps vulnerability from showing. Davison’s pairing matters. Emotions are the obvious stuff (sadness, anger), while sensibilities are the subtler registers: taste, empathy, the ability to be moved. Losing access to those isn’t just numbness; it’s a cultural thinning, where life becomes manageable but less textured.
Coming from an actor, the remark also flips an assumption. We tend to think performers are the ones faking feeling. Davison implies the opposite: performance can be a route back to honesty, a structured way to reach what daily life trains you to suppress. The context reads as a defense of craft and an indictment of a culture that prizes control over contact.
Quote Details
| Topic | Mental Health |
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