"It makes it hard to get over a certain period of your life when you are constantly revisiting it every night"
About this Quote
The line’s quiet accusation is aimed at the machinery of performance. “Constantly revisiting it every night” frames the stage less as liberation than as obligation: the greatest hits become a looping re-enactment, the crowd’s nostalgia turning into a kind of contract. Fans hear an anthem; the artist hears a timestamp. That mismatch is where the tension sits, and Johns writes it without melodrama, letting repetition do the work. “Every night” isn’t poetic emphasis, it’s scheduling.
The specific intent reads like a defense of forward motion - a way to explain why an artist might resist playing the old songs, why reinvention can feel less like vanity and more like survival. Subtextually, it’s also about identity getting fossilized in public: your mistakes, your look, your teenage voice, your old pain, all preserved and requested on demand.
In the pop ecosystem, we talk about “eras” as branding. Johns flips the term back into something human: an era as something you’re trying to leave, and a career that won’t let you.
Quote Details
| Topic | Moving On |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Johns, Daniel. (2026, January 17). It makes it hard to get over a certain period of your life when you are constantly revisiting it every night. FixQuotes. https://fixquotes.com/quotes/it-makes-it-hard-to-get-over-a-certain-period-of-81198/
Chicago Style
Johns, Daniel. "It makes it hard to get over a certain period of your life when you are constantly revisiting it every night." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/it-makes-it-hard-to-get-over-a-certain-period-of-81198/.
MLA Style (9th ed.)
"It makes it hard to get over a certain period of your life when you are constantly revisiting it every night." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/it-makes-it-hard-to-get-over-a-certain-period-of-81198/. Accessed 26 Feb. 2026.






