"It might be a bad thing, not to know what's going on in the world. I can't say I really approve of it"
About this Quote
Olds doesn’t thunder here; she winces. The line lands with the tone of someone catching herself confessing an unpopular comfort: ignorance as a kind of shelter. “It might be a bad thing” is almost comically tentative, the moral judgment padded in foam. Then she tightens it: “I can’t say I really approve of it.” That second clause isn’t a declaration so much as a reluctant self-indictment, the voice of a speaker who suspects she’s been slipping into the very habit she’s critiquing.
The craft is in the hedging. Olds, a poet known for turning domestic life into a site of ethical pressure, uses understatement to stage the collision between private survival and public responsibility. The diction sounds conversational, even mildly prim: “really approve.” It evokes the language of manners, not activism, which is the point. She frames disengagement less as a political position than as a personal failing you’d admit at a dinner table, eyes down, knowing you’re about to be judged.
Context matters: a late-20th/early-21st-century American milieu where news is both omnipresent and punishing, where “staying informed” can feel like a civic duty and a psychic hazard. Olds sidesteps the heroic posture of awareness. She’s after the messy middle: the human urge to look away, paired with the knowledge that looking away costs someone else. The line works because it refuses purity. It implicates speaker and reader in the same small evasions, making the moral claim harder to dismiss.
The craft is in the hedging. Olds, a poet known for turning domestic life into a site of ethical pressure, uses understatement to stage the collision between private survival and public responsibility. The diction sounds conversational, even mildly prim: “really approve.” It evokes the language of manners, not activism, which is the point. She frames disengagement less as a political position than as a personal failing you’d admit at a dinner table, eyes down, knowing you’re about to be judged.
Context matters: a late-20th/early-21st-century American milieu where news is both omnipresent and punishing, where “staying informed” can feel like a civic duty and a psychic hazard. Olds sidesteps the heroic posture of awareness. She’s after the messy middle: the human urge to look away, paired with the knowledge that looking away costs someone else. The line works because it refuses purity. It implicates speaker and reader in the same small evasions, making the moral claim harder to dismiss.
Quote Details
| Topic | Knowledge |
|---|---|
| Source | Help us find the source |
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