"It never got ugly, although it got a bit strange at times"
About this Quote
“It never got ugly, although it got a bit strange at times” is the kind of postmortem line musicians use when they’re trying to tell the truth without feeding the rumor mill. “Ugly” is the loaded word: it hints at the classic band-plot points everyone expects (blowups, betrayal, money fights, addiction spirals) and then refuses to deliver them. Blood doesn’t deny conflict; he denies the tabloid version of conflict.
The pivot to “strange” is where the humanity leaks in. Strange is softer, more private, and more accurate to what many creative collaborations actually feel like: long stretches of camaraderie punctured by bouts of miscommunication, shifting loyalties, weird power dynamics, and the surreal experience of turning your identity into a product. “Strange” also gives him room to acknowledge dysfunction without assigning blame. It’s a musician’s diplomatic tool: a way to keep doors open, keep respect intact, keep the story from calcifying into villain/hero.
The line’s power comes from its restraint. Blood isn’t performing drama; he’s performing control. That’s a cultural tell in itself: by the time you’re asked to sum up a chapter in public, you’ve learned that honesty is less about spilling every detail than about choosing the adjective that protects the people involved. The subtext is affectionate and exhausted at once: we didn’t destroy each other, but we also didn’t stay simple. That’s not scandal. That’s life in a band.
The pivot to “strange” is where the humanity leaks in. Strange is softer, more private, and more accurate to what many creative collaborations actually feel like: long stretches of camaraderie punctured by bouts of miscommunication, shifting loyalties, weird power dynamics, and the surreal experience of turning your identity into a product. “Strange” also gives him room to acknowledge dysfunction without assigning blame. It’s a musician’s diplomatic tool: a way to keep doors open, keep respect intact, keep the story from calcifying into villain/hero.
The line’s power comes from its restraint. Blood isn’t performing drama; he’s performing control. That’s a cultural tell in itself: by the time you’re asked to sum up a chapter in public, you’ve learned that honesty is less about spilling every detail than about choosing the adjective that protects the people involved. The subtext is affectionate and exhausted at once: we didn’t destroy each other, but we also didn’t stay simple. That’s not scandal. That’s life in a band.
Quote Details
| Topic | Heartbreak |
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