"It really is a day job, and it also seems to have virtually disappeared-with no remorse, really. It gives me more time to paint"
About this Quote
There is a quiet burn in the way Mull reduces “it” to a “day job.” That’s not self-pity; it’s a shrug sharpened into critique. As an actor and comedian who spent decades in the churn of show business, Mull knows the industry’s favorite trick: treating a person’s identity as temporary labor. The line acknowledges the transactional reality of entertainment work - gigs come, gigs vanish - but refuses the expected melodrama. “Virtually disappeared” lands like a note slipped under the door: no scandal, no grand farewell, just the eerie normalcy of being phased out.
The kicker is “with no remorse, really.” He’s talking about the business, sure, but also about himself. There’s a double rejection: the industry doesn’t mourn you, and you don’t have to mourn it back. That emotional economy is the subtext. Mull is puncturing the myth that visibility equals permanence, or that being “in demand” is a moral verdict. Fame is framed as logistics.
Then he pivots: “It gives me more time to paint.” Not a consolation prize - a reallocation of attention. The sentence turns disappearance into agency, repositioning creative life away from public consumption and toward private craft. Coming from a pop-culture figure, it reads as an antidote to the algorithmic panic of staying relevant: the work that lasts might be the one that doesn’t need an audience on schedule.
The kicker is “with no remorse, really.” He’s talking about the business, sure, but also about himself. There’s a double rejection: the industry doesn’t mourn you, and you don’t have to mourn it back. That emotional economy is the subtext. Mull is puncturing the myth that visibility equals permanence, or that being “in demand” is a moral verdict. Fame is framed as logistics.
Then he pivots: “It gives me more time to paint.” Not a consolation prize - a reallocation of attention. The sentence turns disappearance into agency, repositioning creative life away from public consumption and toward private craft. Coming from a pop-culture figure, it reads as an antidote to the algorithmic panic of staying relevant: the work that lasts might be the one that doesn’t need an audience on schedule.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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