"It really wasn't until I was in college when I began to write more and more, and I realized I was scheduling my entire life around my writing"
About this Quote
A lot of artists talk about “finding their voice.” Rita Dove is talking about something stricter: finding her calendar. The line lands because it frames writing not as inspiration but as infrastructure, a force with gravitational pull strong enough to reorganize a life. “It really wasn’t until” signals late recognition, the slow click of self-knowledge rather than a childhood destiny myth. College becomes the hinge moment precisely because it’s the first place many people get both permission and pressure: time appears more flexible, identity more negotiable, and ambition suddenly has room to become a practice.
The subtext is a quiet escalation of commitment. “Began to write more and more” sounds incremental, almost casual, but it’s a ramp. Then the revelation: she wasn’t fitting writing into life; she was fitting life around writing. That reversal matters. It hints at compulsion, devotion, even a mild ruthlessness - the kind required to produce serious work. It also sidesteps romantic notions of the poet as a vessel for lightning. Dove describes an administrative truth: art doesn’t just happen; it colonizes your hours.
Context sharpens the stakes. As a Black woman coming of age in the post-civil rights era, Dove’s path into literary authority wasn’t pre-scripted by institutions eager to anoint her. Scheduling “my entire life” around writing reads as an act of self-legitimation: if the world won’t automatically grant your work centrality, you build that centrality yourself. The sentence is modest on the surface, but it’s a manifesto for discipline masquerading as memory.
The subtext is a quiet escalation of commitment. “Began to write more and more” sounds incremental, almost casual, but it’s a ramp. Then the revelation: she wasn’t fitting writing into life; she was fitting life around writing. That reversal matters. It hints at compulsion, devotion, even a mild ruthlessness - the kind required to produce serious work. It also sidesteps romantic notions of the poet as a vessel for lightning. Dove describes an administrative truth: art doesn’t just happen; it colonizes your hours.
Context sharpens the stakes. As a Black woman coming of age in the post-civil rights era, Dove’s path into literary authority wasn’t pre-scripted by institutions eager to anoint her. Scheduling “my entire life” around writing reads as an act of self-legitimation: if the world won’t automatically grant your work centrality, you build that centrality yourself. The sentence is modest on the surface, but it’s a manifesto for discipline masquerading as memory.
Quote Details
| Topic | Writing |
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