"It seemed sensible to move to a market town where I could walk everywhere"
About this Quote
Practical on the surface, this line is really a quiet manifesto about scale, autonomy, and the refusal to be managed by modern life. “It seemed sensible” is classic Mary Wesley camouflage: a mild, reasonable phrase that pretends the decision is purely logistical, when the real motive is often emotional, even insurgent. Sensible to whom? In Wesley’s fiction, “sensible” is frequently the mask worn by people who have learned not to advertise need, desire, or damage.
A “market town” carries a particular English social weather: small enough to be legible, busy enough to be anonymous. It promises daily contact without the exposure of village intimacy and without the flattening isolation of the city. The word “market” signals rhythm and exchange, a place organized around ordinary transactions and human observation. Wesley is always alert to how class and surveillance operate through “community,” and this setting offers both a stage and an escape hatch.
Then there’s the body in the sentence. “Where I could walk everywhere” isn’t just about convenience; it’s about self-possession. Walking means no dependence on a spouse, a driver, a timetable, a machine that breaks, or a social permission slip. It suggests a character choosing a life that fits inside their own stride, compressing the world to a navigable size after some private upheaval.
Context matters: Wesley began publishing late and wrote with a sharp understanding of constraint - sexual, domestic, economic. This line reads like one of her sly resets: a person claiming freedom in the language of common sense.
A “market town” carries a particular English social weather: small enough to be legible, busy enough to be anonymous. It promises daily contact without the exposure of village intimacy and without the flattening isolation of the city. The word “market” signals rhythm and exchange, a place organized around ordinary transactions and human observation. Wesley is always alert to how class and surveillance operate through “community,” and this setting offers both a stage and an escape hatch.
Then there’s the body in the sentence. “Where I could walk everywhere” isn’t just about convenience; it’s about self-possession. Walking means no dependence on a spouse, a driver, a timetable, a machine that breaks, or a social permission slip. It suggests a character choosing a life that fits inside their own stride, compressing the world to a navigable size after some private upheaval.
Context matters: Wesley began publishing late and wrote with a sharp understanding of constraint - sexual, domestic, economic. This line reads like one of her sly resets: a person claiming freedom in the language of common sense.
Quote Details
| Topic | New Beginnings |
|---|---|
| Source | Help us find the source |
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