"It seems not to have been written. It is the quintessence of life. It is the basic truth"
About this Quote
That opening feint - "It seems not to have been written" - is Atkinson's highest compliment, and also his slyest move. A theater critic’s job is to sniff out craft: the seams, the mechanisms, the writer’s hand pushing characters where they need to go. Here he praises a work for hiding its authorial fingerprints so completely it feels discovered rather than composed, like a conversation overheard, a gesture caught in real time. The intent isn’t to deny artifice; it’s to celebrate the kind of artifice that vanishes.
Calling it "the quintessence of life" sounds grand, but in Atkinson’s critical vocabulary it’s practical. Mid-century American criticism, especially from someone at the New York Times, prized work that could pass as lived experience: dialogue that doesn’t clang, motivation that doesn’t announce itself, emotion that lands without pleading. He’s measuring a play (or performance) against the audience’s most unforgiving benchmark: their own sense of how life moves when nobody is watching.
Then comes the clincher: "the basic truth". Not "a" truth, and not a topical message. Atkinson is gesturing toward the theater’s oldest hustle: you sit in a room, agree to pretend, and somehow end up feeling something truer than the day’s headlines. The subtext is a standard for realism that’s also a moral claim. Great writing, in this view, isn’t about sounding literary; it’s about sounding inevitable.
Calling it "the quintessence of life" sounds grand, but in Atkinson’s critical vocabulary it’s practical. Mid-century American criticism, especially from someone at the New York Times, prized work that could pass as lived experience: dialogue that doesn’t clang, motivation that doesn’t announce itself, emotion that lands without pleading. He’s measuring a play (or performance) against the audience’s most unforgiving benchmark: their own sense of how life moves when nobody is watching.
Then comes the clincher: "the basic truth". Not "a" truth, and not a topical message. Atkinson is gesturing toward the theater’s oldest hustle: you sit in a room, agree to pretend, and somehow end up feeling something truer than the day’s headlines. The subtext is a standard for realism that’s also a moral claim. Great writing, in this view, isn’t about sounding literary; it’s about sounding inevitable.
Quote Details
| Topic | Truth |
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