"It takes more drawing to tell a story in pantomime"
About this Quote
The intent here is partly technical craft advice, partly an aesthetic manifesto. Woodring is defending pantomime comics against the lazy assumption that “no words” equals “easy.” In wordless work, continuity can’t be asserted; it must be demonstrated. The reader needs orientation (where are we, when did we move, what changed?) and motivation (why did that action happen?) and emotion (how does it feel?) all at once. That frequently means more panels, more establishing shots, more transitional beats, more “redundant” drawings that prose would skip.
The subtext is also about trust. Pantomime demands that the artist anticipate confusion and preempt it visually, but it also demands that the reader collaborate, stitching intention from gesture. Woodring’s line makes a case for comics as a fully visual language, not illustrated literature: when words disappear, drawing stops decorating and starts speaking. In an era where punchy dialogue and meme-ready lines often lead the cultural conversation, he’s arguing for the harder flex: clarity without speech, meaning without explanation.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Woodring, Jim. (2026, January 16). It takes more drawing to tell a story in pantomime. FixQuotes. https://fixquotes.com/quotes/it-takes-more-drawing-to-tell-a-story-in-pantomime-106610/
Chicago Style
Woodring, Jim. "It takes more drawing to tell a story in pantomime." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/it-takes-more-drawing-to-tell-a-story-in-pantomime-106610/.
MLA Style (9th ed.)
"It takes more drawing to tell a story in pantomime." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/it-takes-more-drawing-to-tell-a-story-in-pantomime-106610/. Accessed 12 Feb. 2026.





