"It was a very profound experience, getting in touch with that part of us, in all of us human beings, that is committed beyond yourself to the point of giving everything you have, including your life, for other people, for your fellow man"
About this Quote
Raul Julia is describing an acting moment that stops being about craft and starts feeling like a moral X-ray. The line isn’t motivational; it’s diagnostic. He’s talking about “getting in touch” with a human capacity most of us prefer to keep theoretical: the willingness to be claimed by something larger than the self, right up to the limit case of death. By framing it as “very profound,” Julia signals that the shock isn’t the idea of sacrifice, but the discovery that the impulse lives inside ordinary people, not just saints or soldiers.
The wording does a lot of quiet work. “That part of us” suggests a hidden chamber in the psyche, something buried under routine self-interest. “Committed beyond yourself” is a deliberate escalation: commitment is often sold as personal growth, but Julia pushes it into self-erasure, where the ego’s calculus fails. Then he lands on “fellow man,” a slightly old-fashioned phrase that matters here; it drags the sentiment out of private loyalty (family, tribe, romance) and into a broader, civic register. This isn’t about dying for your own. It’s about being answerable to others as others.
Coming from an actor, the subtext is also about performance as rehearsal for ethics. Great roles can function like temporary citizenship in someone else’s reality, and that empathy can feel like contact with a dormant heroism. Julia isn’t glamorizing death; he’s marking the unsettling, exhilarating recognition that solidarity is real enough to cost you everything.
The wording does a lot of quiet work. “That part of us” suggests a hidden chamber in the psyche, something buried under routine self-interest. “Committed beyond yourself” is a deliberate escalation: commitment is often sold as personal growth, but Julia pushes it into self-erasure, where the ego’s calculus fails. Then he lands on “fellow man,” a slightly old-fashioned phrase that matters here; it drags the sentiment out of private loyalty (family, tribe, romance) and into a broader, civic register. This isn’t about dying for your own. It’s about being answerable to others as others.
Coming from an actor, the subtext is also about performance as rehearsal for ethics. Great roles can function like temporary citizenship in someone else’s reality, and that empathy can feel like contact with a dormant heroism. Julia isn’t glamorizing death; he’s marking the unsettling, exhilarating recognition that solidarity is real enough to cost you everything.
Quote Details
| Topic | Kindness |
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