"It was ability that mattered, not disability, which is a word I'm not crazy about using"
About this Quote
Matlin’s line carries the snap of someone who’s been forced to live inside other people’s labels and has decided to renegotiate the terms. “It was ability that mattered” isn’t just affirming competence; it’s a quiet indictment of an industry that treats disabled performers as inspirational symbols or logistical problems before it treats them as artists. She’s shifting the spotlight from deficit to craft, from accommodation to merit, without pretending merit has ever been neutrally measured.
The second clause is where the politics sharpen: “disability, which is a word I’m not crazy about using.” She’s not denying disability as reality so much as resisting the cultural baggage the word drags in - pity, assumptions of limitation, the subtle permission it gives people to lower expectations. In entertainment, that baggage often turns into casting calls that want “authenticity” only when it’s marketable, or awards-season narratives that frame disabled success as miraculous rather than earned.
Matlin came up in an era when deafness was more likely to be treated as a gimmick than a language community, and her career has unfolded alongside public fights for captioning, access, and representation. So the quote doubles as strategy: claim ability to demand opportunity, critique “disability” to expose how language can become a velvet rope. It’s an actress insisting that the story audiences love - talent breaking through - shouldn’t require her to be reduced to a condition first.
The second clause is where the politics sharpen: “disability, which is a word I’m not crazy about using.” She’s not denying disability as reality so much as resisting the cultural baggage the word drags in - pity, assumptions of limitation, the subtle permission it gives people to lower expectations. In entertainment, that baggage often turns into casting calls that want “authenticity” only when it’s marketable, or awards-season narratives that frame disabled success as miraculous rather than earned.
Matlin came up in an era when deafness was more likely to be treated as a gimmick than a language community, and her career has unfolded alongside public fights for captioning, access, and representation. So the quote doubles as strategy: claim ability to demand opportunity, critique “disability” to expose how language can become a velvet rope. It’s an actress insisting that the story audiences love - talent breaking through - shouldn’t require her to be reduced to a condition first.
Quote Details
| Topic | Equality |
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