"It was also important for me to have a burning desire to achieve something worthwhile on that instrument, and I devoted many many many hours with little or no compensation to perfecting whatever I could, because I loved it so much"
About this Quote
Sheehan’s line reads like a corrective to the fantasy version of artistic success: the one where talent gets “discovered” and hard work is a tasteful montage. He foregrounds appetite before aptitude - “a burning desire” - as if the real differentiator isn’t some mystical gift but an almost inconvenient level of wanting. That phrasing isn’t accidental; “burning” suggests both urgency and discomfort. Desire, here, isn’t pretty. It’s fuel that can scorch your social life, your finances, your patience.
The triple-stacked “many many many hours” does more than emphasize time; it mimics the mind-numbing repetition of practice itself. It’s an insistently unglamorous rhythm, a drummer’s count-in for discipline. Then comes the economic gut-punch: “little or no compensation.” In a music culture that often sells aspiration while paying exposure, Sheehan names the quiet bargain most musicians make early on - subsidizing their own development with unpaid labor. He doesn’t frame it as martyrdom, though. The pivot is “because I loved it so much,” which flips the usual hustle narrative. This isn’t grindset rhetoric about domination; it’s devotion bordering on compulsion.
Context matters: Sheehan is a virtuoso bassist in genres where technical command is a currency, and bass is routinely treated as background. His intent is partly autobiographical, partly prescriptive: respect the instrument enough to outwork the room, even when the room isn’t paying attention. The subtext lands as a challenge: if you want “worthwhile,” you’d better be willing to put in the hours no one applauds.
The triple-stacked “many many many hours” does more than emphasize time; it mimics the mind-numbing repetition of practice itself. It’s an insistently unglamorous rhythm, a drummer’s count-in for discipline. Then comes the economic gut-punch: “little or no compensation.” In a music culture that often sells aspiration while paying exposure, Sheehan names the quiet bargain most musicians make early on - subsidizing their own development with unpaid labor. He doesn’t frame it as martyrdom, though. The pivot is “because I loved it so much,” which flips the usual hustle narrative. This isn’t grindset rhetoric about domination; it’s devotion bordering on compulsion.
Context matters: Sheehan is a virtuoso bassist in genres where technical command is a currency, and bass is routinely treated as background. His intent is partly autobiographical, partly prescriptive: respect the instrument enough to outwork the room, even when the room isn’t paying attention. The subtext lands as a challenge: if you want “worthwhile,” you’d better be willing to put in the hours no one applauds.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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