"It was fun. That was something I came to fairly late"
About this Quote
Chabon’s line lands like a small confession with a big shadow behind it: the startling idea that “fun” in art can be an achievement, not a default setting. The first sentence is blunt, almost childlike in its certainty. Then he undercuts it with the kicker: “That was something I came to fairly late.” Suddenly the pleasure is complicated, earned, maybe even hard-won. The subtext is a quiet indictment of the seriousness cult that follows ambitious writers around like a dress code: be important, be difficult, be heavy, be worthy. Fun can feel suspicious when you’ve been trained to equate gravity with value.
Chabon has spent a career refusing that bargain. His novels often move with the propulsion of genre - detective plots, capers, comics, speculative tangents - while still smuggling in grief, longing, history, and moral mess. This quote telegraphs that evolution: not a retreat from craft, but a recalibration of what craft is for. “Fun” becomes a discipline, a permission slip, a reader-facing generosity. It’s also a self-portrait of a writer noticing how long he kept the door to pleasure half-closed, as if delight were a betrayal of intelligence.
The charm is in the timing. “Fairly late” is modest, even sheepish, which makes the revelation feel credible. He’s not bragging about being playful; he’s admitting he had to learn it. For a contemporary audience raised on prestige seriousness and algorithmic distraction, it’s a pointed reminder: the work can be smart and still move like it wants to be read.
Chabon has spent a career refusing that bargain. His novels often move with the propulsion of genre - detective plots, capers, comics, speculative tangents - while still smuggling in grief, longing, history, and moral mess. This quote telegraphs that evolution: not a retreat from craft, but a recalibration of what craft is for. “Fun” becomes a discipline, a permission slip, a reader-facing generosity. It’s also a self-portrait of a writer noticing how long he kept the door to pleasure half-closed, as if delight were a betrayal of intelligence.
The charm is in the timing. “Fairly late” is modest, even sheepish, which makes the revelation feel credible. He’s not bragging about being playful; he’s admitting he had to learn it. For a contemporary audience raised on prestige seriousness and algorithmic distraction, it’s a pointed reminder: the work can be smart and still move like it wants to be read.
Quote Details
| Topic | Joy |
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