"It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords"
About this Quote
There is a whole DIY rock ethos packed into that offhand comparison: the thrill of chasing a Beatles riff versus the dutiful grind of formal instruction. Tommy Shaw is describing a moment lots of working musicians recognize, where progress comes less from being “taught” and more from being obsessed. “More fun” isn’t a cute aside; it’s the engine. The joy of decoding “I Want To Hold Your Hand” turns learning into a game, and that game quietly builds the skills lessons promise but can’t always deliver: ear training, pattern recognition, timing, grit.
The subtext is a gentle flex, too. He’s not rejecting craft; he’s implying he already had the foundation (“basic chords”) and what he needed next was motivation, not curriculum. That matters coming from a musician who emerged out of the classic-rock ecosystem where bands were built in garages and basements, not conservatories. The Beatles function here as a cultural accelerant: four minutes of pop becomes a private masterclass in harmony and arrangement for kids who couldn’t name what they were hearing yet.
Contextually, Shaw’s line nods to a generational shift in how music education actually happened in the rock era. Records were the textbook; obsession was the teacher; copying was the gateway to originality. Even the specific song choice is telling: “I Want To Hold Your Hand” is deceptively sophisticated under its clean, accessible surface, exactly the kind of tune that rewards curiosity more than compliance.
The subtext is a gentle flex, too. He’s not rejecting craft; he’s implying he already had the foundation (“basic chords”) and what he needed next was motivation, not curriculum. That matters coming from a musician who emerged out of the classic-rock ecosystem where bands were built in garages and basements, not conservatories. The Beatles function here as a cultural accelerant: four minutes of pop becomes a private masterclass in harmony and arrangement for kids who couldn’t name what they were hearing yet.
Contextually, Shaw’s line nods to a generational shift in how music education actually happened in the rock era. Records were the textbook; obsession was the teacher; copying was the gateway to originality. Even the specific song choice is telling: “I Want To Hold Your Hand” is deceptively sophisticated under its clean, accessible surface, exactly the kind of tune that rewards curiosity more than compliance.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Tommy
Add to List

