"It was one of those evenings when men feel that truth, goodness and beauty are one. In the morning, when they commit their discovery to paper, when others read it written there, it looks wholly ridiculous"
About this Quote
Huxley skewers the midnight mystic and the morning editor in one clean turn. The first sentence intoxicates itself on a very old dream: that the big three - truth, goodness, beauty - snap into alignment, and for a few glowing hours the world feels solved. He even frames it as a masculine ritual ("men feel"), hinting at a particular species of confidence: the conviction that a private mood is a philosophical breakthrough.
Then comes the hangover. Daylight doesn’t just sober you up; it exposes how much of last night’s revelation was carried by lighting, liquor, loneliness, desire, or sheer momentum. The moment you "commit" the insight to paper, it enters a harsher ecology: grammar, sequence, evidence. Writing is the lie detector for vibes. And the real cruelty arrives when "others read it" - because public language is not the same as private ecstasy. What felt like unity in the body becomes, on the page, a performance of profundity that can’t survive another person’s eyes.
Huxley’s intent isn’t to dismiss transcendence so much as to puncture the ego that mistakes it for a transferable product. The subtext is about mediation: experiences can be real and still fail translation. In an era when Huxley watched modernity churn out manifestos, spiritual fads, and grand systems (and later, chemical shortcuts to revelation), he’s warning that the sublime is easiest to feel and hardest to communicate - and that ridicule is often just what happens when private certainty tries to pass as public truth.
Then comes the hangover. Daylight doesn’t just sober you up; it exposes how much of last night’s revelation was carried by lighting, liquor, loneliness, desire, or sheer momentum. The moment you "commit" the insight to paper, it enters a harsher ecology: grammar, sequence, evidence. Writing is the lie detector for vibes. And the real cruelty arrives when "others read it" - because public language is not the same as private ecstasy. What felt like unity in the body becomes, on the page, a performance of profundity that can’t survive another person’s eyes.
Huxley’s intent isn’t to dismiss transcendence so much as to puncture the ego that mistakes it for a transferable product. The subtext is about mediation: experiences can be real and still fail translation. In an era when Huxley watched modernity churn out manifestos, spiritual fads, and grand systems (and later, chemical shortcuts to revelation), he’s warning that the sublime is easiest to feel and hardest to communicate - and that ridicule is often just what happens when private certainty tries to pass as public truth.
Quote Details
| Topic | Truth |
|---|---|
| Source | Help us find the source |
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