Time & Perspective Quote by Gregory Harrison

Broadway, in Gregory Harrison's telling, isn't a velvet-roped arrival; it's a treadmill you jump onto mid-spin. The line works because it refuses the usual celebrity script of effortless belonging. "First time" flags vulnerability, but he doesn't linger in awe. He frames the experience as pure velocity: "run as fast as I could to keep up". That's not just a cute metaphor for nerves; it's a quietly accurate description of theater's ecosystem, where timing is literal, stamina is visible, and the room won't slow down because you have a résumé.

The intent is clear: to translate prestige into pressure, then flip that pressure into pleasure. Broadway becomes less a pinnacle than a pace, a culture with its own metabolism. The subtext is respect. Harrison isn't performing false humility so much as acknowledging a hierarchy of craft: film and TV can edit around fatigue; live theater exposes it. "Keep up" implies a collective standard - cast, crew, audience expectations - and his job is to meet it nightly, not once.

"And I loved it!" lands because it's earned. After the admission of strain, the delight reads as addicted-to-the-work, not addicted-to-the-status. He's describing the actor's version of being thrown into deep water and discovering you like the burn: the exhilaration of competence under fire, the thrill of a tradition that doesn't care who you are until you prove you can hang.