"It wasn't so much destroying my dancing, it was destroying me"
About this Quote
"It wasn't so much destroying my dancing, it was destroying me" lands like a confession caught mid-breath: the craft is almost a decoy, a softer word offered up so the real injury can be spoken. Emin frames "dancing" as the visible thing people might politely mourn - the talent, the output, the charming surface of a life - then yanks the camera back to the private cost. The line refuses the comforting narrative that an artist can lose a practice and simply redirect. Here, the practice is the person, and the damage isn’t professional, it’s existential.
The phrasing matters. "Wasn't so much" is conversational, even shruggy, the way you talk when you’re trying not to sound dramatic while describing something dramatic. "Destroying" is blunt and bodily; it suggests not a setback but an erasure. Emin’s work has always traded in that tension between raw disclosure and calculated presentation: the bedroom made public, the diary turned into installation, shame repurposed as material. This quote fits that ethos. It’s not asking for pity; it’s insisting that what looks like a small loss from the outside can be a full-scale collapse on the inside.
Contextually, it reads like a line from someone talking about illness, trauma, addiction, depression, or an abusive dynamic - the kinds of forces that don’t just interrupt your routines, they corrode your sense of self. "Dancing" becomes a stand-in for vitality and agency. Losing it isn’t about missing a hobby. It’s about watching your own aliveness get negotiated away.
The phrasing matters. "Wasn't so much" is conversational, even shruggy, the way you talk when you’re trying not to sound dramatic while describing something dramatic. "Destroying" is blunt and bodily; it suggests not a setback but an erasure. Emin’s work has always traded in that tension between raw disclosure and calculated presentation: the bedroom made public, the diary turned into installation, shame repurposed as material. This quote fits that ethos. It’s not asking for pity; it’s insisting that what looks like a small loss from the outside can be a full-scale collapse on the inside.
Contextually, it reads like a line from someone talking about illness, trauma, addiction, depression, or an abusive dynamic - the kinds of forces that don’t just interrupt your routines, they corrode your sense of self. "Dancing" becomes a stand-in for vitality and agency. Losing it isn’t about missing a hobby. It’s about watching your own aliveness get negotiated away.
Quote Details
| Topic | Sadness |
|---|---|
| Source | Help us find the source |
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