"It wasn't until the first season ended that I went to my first Star Trek convention. It was in Denver. There were two and a half thousand people there"
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There’s a quiet comic whiplash in Patrick Stewart’s recollection: the most classically trained, Shakespeare-steeped actor in a franchise built on warp drives doesn’t meet the fandom until after the first season is already in the can. The timing matters. It suggests distance at the outset, not disdain exactly, but a kind of professional tunnel vision - an actor doing the job, maybe even bracing for a short run, before fully registering what he’s stepped into.
Then comes the hard number: “two and a half thousand people.” Stewart isn’t waxing poetic about community or destiny; he’s counting bodies. That specificity is the point. It’s the actor’s version of evidence, the moment the abstract idea of “audience” becomes a physical, queued, badge-wearing mass. Conventions are where pop culture stops being broadcast and starts being reciprocated. You don’t just perform for fans; you watch them perform their devotion back at you, with costumes, questions, and a level of emotional investment that can feel disproportionate to the workday realities of a TV set.
The subtext reads like mild astonishment shading into respect: this thing is bigger than the production, bigger than reviews, bigger than whatever network anxieties surrounded a new iteration of Star Trek. Denver isn’t glamorous, which makes the turnout even more persuasive. Stewart is locating the exact point when “a role” becomes a public identity - when Jean-Luc Picard stops being lines on a page and becomes a relationship thousands of strangers feel entitled to claim.
Then comes the hard number: “two and a half thousand people.” Stewart isn’t waxing poetic about community or destiny; he’s counting bodies. That specificity is the point. It’s the actor’s version of evidence, the moment the abstract idea of “audience” becomes a physical, queued, badge-wearing mass. Conventions are where pop culture stops being broadcast and starts being reciprocated. You don’t just perform for fans; you watch them perform their devotion back at you, with costumes, questions, and a level of emotional investment that can feel disproportionate to the workday realities of a TV set.
The subtext reads like mild astonishment shading into respect: this thing is bigger than the production, bigger than reviews, bigger than whatever network anxieties surrounded a new iteration of Star Trek. Denver isn’t glamorous, which makes the turnout even more persuasive. Stewart is locating the exact point when “a role” becomes a public identity - when Jean-Luc Picard stops being lines on a page and becomes a relationship thousands of strangers feel entitled to claim.
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| Topic | Movie |
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