"It will be a pity if women in the more conventional mould are to be phased out, for there will never be anyone to go home to"
About this Quote
Brookner’s line lands like a parlor-room provocation: a lament dressed up as common sense, with the sting tucked into that deceptively soft phrase, “a pity.” The sentence performs the very conventionality it’s defending - poised, measured, almost genteel - while smuggling in a bleak forecast about what modern life does to intimacy.
The “more conventional mould” isn’t really about hemlines or manners; it’s shorthand for a whole gendered job description: emotional steadiness, domestic continuity, the patient maintenance of a private refuge. “Phased out” borrows the language of corporate restructuring, as if cultural change were a rational modernization plan that accidentally makes a whole kind of person redundant. That’s where Brookner’s historian’s eye shows: she’s reading social shifts not as liberation narratives but as demographic and economic reassignments, with unforeseen casualties.
The most revealing clause is the last: “there will never be anyone to go home to.” It frames “home” as something delivered by women, and it exposes the dependency hidden inside certain versions of male autonomy. If women stop specializing in being the destination, the traveler discovers he has nowhere to arrive. Brookner isn’t simply nostalgic; she’s acidly attentive to the bargain modernity breaks. The subtext is less “women should stay put” than “society wants progress without paying for what progress displaces.” The line’s power is its quiet indictment: we celebrate independence while still craving the old comforts - and then act shocked when comfort stops showing up.
The “more conventional mould” isn’t really about hemlines or manners; it’s shorthand for a whole gendered job description: emotional steadiness, domestic continuity, the patient maintenance of a private refuge. “Phased out” borrows the language of corporate restructuring, as if cultural change were a rational modernization plan that accidentally makes a whole kind of person redundant. That’s where Brookner’s historian’s eye shows: she’s reading social shifts not as liberation narratives but as demographic and economic reassignments, with unforeseen casualties.
The most revealing clause is the last: “there will never be anyone to go home to.” It frames “home” as something delivered by women, and it exposes the dependency hidden inside certain versions of male autonomy. If women stop specializing in being the destination, the traveler discovers he has nowhere to arrive. Brookner isn’t simply nostalgic; she’s acidly attentive to the bargain modernity breaks. The subtext is less “women should stay put” than “society wants progress without paying for what progress displaces.” The line’s power is its quiet indictment: we celebrate independence while still craving the old comforts - and then act shocked when comfort stops showing up.
Quote Details
| Topic | Husband & Wife |
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