"It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house"
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A bracing refusal of the yardstick everyone insists on using: Hollywood. Macbeth’s line works because it doesn’t just predict what an industry will become; it rejects the fantasy of what it’s supposed to be. “It will never be Hollywood” is less a lament than a boundary. She’s naming the gravitational pull of a dominant cultural machine and, with a quiet snap, stepping out of its orbit.
The phrase “the same way people think it should be” sharpens the target. She’s not arguing with Hollywood so much as with the audience’s expectations: the imported template of glamour, centralized power, and mass-produced narrative. That template always arrives disguised as common sense. Macbeth calls it out as a projection, a collective demand that a new cultural ecosystem imitate the old one to be considered legitimate.
Her optimism is deliberately practical. “Grow,” “healthy,” “expand” are organic terms, not industrial ones; they suggest sustainability, craft, and resilience rather than spectacle. The kicker is “more than one production house,” a pointed anti-monopoly note. She’s endorsing plurality: multiple centers of power, multiple voices, a scene that can’t be reduced to a single gatekeeper.
In context, coming from an author in the late 19th/early 20th century, the statement reads like an early argument for decentralization in the arts: an insistence that cultural maturity doesn’t mean copying the empire. The subtext is independence as quality control - and as cultural self-respect.
The phrase “the same way people think it should be” sharpens the target. She’s not arguing with Hollywood so much as with the audience’s expectations: the imported template of glamour, centralized power, and mass-produced narrative. That template always arrives disguised as common sense. Macbeth calls it out as a projection, a collective demand that a new cultural ecosystem imitate the old one to be considered legitimate.
Her optimism is deliberately practical. “Grow,” “healthy,” “expand” are organic terms, not industrial ones; they suggest sustainability, craft, and resilience rather than spectacle. The kicker is “more than one production house,” a pointed anti-monopoly note. She’s endorsing plurality: multiple centers of power, multiple voices, a scene that can’t be reduced to a single gatekeeper.
In context, coming from an author in the late 19th/early 20th century, the statement reads like an early argument for decentralization in the arts: an insistence that cultural maturity doesn’t mean copying the empire. The subtext is independence as quality control - and as cultural self-respect.
Quote Details
| Topic | Movie |
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