"It would be nice to really shed the corsets"
About this Quote
“It would be nice to really shed the corsets” lands as a sly double-entendre from an actress whose career has often been stitched into period fabric. On the surface, it’s a practical complaint: corsets are restrictive, uncomfortable, and emblematic of productions that fetishize “authenticity” by literally cinching women into shape. But Carter’s wording - “really shed” - signals she’s not only talking about wardrobe.
Corsets are a tidy shorthand for the broader machinery that disciplines women’s bodies and behavior: posture, appetite, sexuality, even tone of voice. In costume dramas, the corset does two jobs at once: it sells the past while quietly reaffirming present-day expectations about what femininity should look like when it’s “proper.” Carter, long cast as the eccentric, the gothic, the unruly, is uniquely positioned to needle that. She’s made a brand out of playing women who don’t sit prettily, and here she’s calling out the literal apparatus that demands they do.
There’s also an industry critique embedded in the wish. Period roles have been a reliable pipeline for actresses - prestige, awards, respectability - but they can also become a velvet cage, steering women toward stories where their bodies are controlled by the setting and their agency is negotiated through constraint. Wanting to “shed the corsets” reads like a desire for roles, narratives, and public images that don’t require enforced silhouette: less containment, fewer inherited rules, more breath.
Corsets are a tidy shorthand for the broader machinery that disciplines women’s bodies and behavior: posture, appetite, sexuality, even tone of voice. In costume dramas, the corset does two jobs at once: it sells the past while quietly reaffirming present-day expectations about what femininity should look like when it’s “proper.” Carter, long cast as the eccentric, the gothic, the unruly, is uniquely positioned to needle that. She’s made a brand out of playing women who don’t sit prettily, and here she’s calling out the literal apparatus that demands they do.
There’s also an industry critique embedded in the wish. Period roles have been a reliable pipeline for actresses - prestige, awards, respectability - but they can also become a velvet cage, steering women toward stories where their bodies are controlled by the setting and their agency is negotiated through constraint. Wanting to “shed the corsets” reads like a desire for roles, narratives, and public images that don’t require enforced silhouette: less containment, fewer inherited rules, more breath.
Quote Details
| Topic | Letting Go |
|---|
More Quotes by Helena
Add to List




