"It would be really great if people would realize that stars are only people with the same weaknesses and flaws, not immaculate idols"
About this Quote
Celebrity culture runs on a convenient lie: that fame is evidence of moral polish. Meg Ryan punctures that myth with the plainspoken exasperation of someone who has watched the machinery up close. Her phrasing, "It would be really great", sounds casual, even Midwestern, but the politeness is doing work. It’s a soft entry into a hard demand: stop making idols, stop acting shocked when they crack.
The line is built around demotion. "Stars" get dragged down to earth as "only people" - not saints, not symbols, not public property. The key move is the pairing of "weaknesses and flaws" with "not immaculate idols". She’s not asking for indulgence or branding a new kind of authenticity; she’s naming the trap that celebrity sets for both sides. Audiences project perfection because it’s pleasurable, because it sells, because it turns complicated humans into clean narratives. Then the same audiences punish imperfection because the fantasy has been breached. The idol is immaculate until it isn’t, and the fall becomes entertainment.
Coming from Ryan, the subtext is hard to miss. She was marketed for years as America’s sweetheart, a role that invites affection but also surveillance. The quote reads like a quiet refusal of that contract: admiration without entitlement, interest without ownership. It also doubles as a critique of an industry that profits from elevating people into icons and then monetizes their unraveling. What she wants is not lowered standards, but a more honest frame: fame doesn’t erase the human mess; it just spotlights it.
The line is built around demotion. "Stars" get dragged down to earth as "only people" - not saints, not symbols, not public property. The key move is the pairing of "weaknesses and flaws" with "not immaculate idols". She’s not asking for indulgence or branding a new kind of authenticity; she’s naming the trap that celebrity sets for both sides. Audiences project perfection because it’s pleasurable, because it sells, because it turns complicated humans into clean narratives. Then the same audiences punish imperfection because the fantasy has been breached. The idol is immaculate until it isn’t, and the fall becomes entertainment.
Coming from Ryan, the subtext is hard to miss. She was marketed for years as America’s sweetheart, a role that invites affection but also surveillance. The quote reads like a quiet refusal of that contract: admiration without entitlement, interest without ownership. It also doubles as a critique of an industry that profits from elevating people into icons and then monetizes their unraveling. What she wants is not lowered standards, but a more honest frame: fame doesn’t erase the human mess; it just spotlights it.
Quote Details
| Topic | Movie |
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