"It's a beautiful tale, and today is a beautiful day without any bugs"
About this Quote
Pratt’s line lands like a wink from someone who’s spent a lifetime drawing adventure while keeping one eyebrow raised at the machinery behind it. “It’s a beautiful tale” is the cartoonist’s credo and his alibi: a reminder that storytelling can be sumptuous, transporting, deliberately unreal. Then comes the sly pivot into the everyday, almost absurdly prosaic: “today is a beautiful day without any bugs.” Beauty is reaffirmed, but in a register that belongs to deadlines, printers, editors, and the fragile physics of getting ink and paper to behave.
The intent feels double. On the surface, it’s gratitude for a rare moment when the world (and the work) isn’t glitching. Underneath, it’s a quiet admission that most days do have bugs: narrative ones, technical ones, moral ones. Pratt, best known for the drifting, skeptical romanticism of Corto Maltese, understood that a “beautiful tale” isn’t born from purity; it’s wrestled into shape against error, compromise, and mess. By putting “bugs” in the same sentence as “beautiful,” he collapses the distance between art and production, between the mythic and the mundane.
Context matters: Pratt worked in an era of serialized comics, tight turnarounds, and international publishing. “Bugs” reads as both shop talk and philosophy. The perfect day isn’t heroic; it’s simply functional. That’s the subtextual joke - and the hard-earned optimism. Beauty, for Pratt, isn’t the absence of darkness. It’s the brief truce when nothing breaks.
The intent feels double. On the surface, it’s gratitude for a rare moment when the world (and the work) isn’t glitching. Underneath, it’s a quiet admission that most days do have bugs: narrative ones, technical ones, moral ones. Pratt, best known for the drifting, skeptical romanticism of Corto Maltese, understood that a “beautiful tale” isn’t born from purity; it’s wrestled into shape against error, compromise, and mess. By putting “bugs” in the same sentence as “beautiful,” he collapses the distance between art and production, between the mythic and the mundane.
Context matters: Pratt worked in an era of serialized comics, tight turnarounds, and international publishing. “Bugs” reads as both shop talk and philosophy. The perfect day isn’t heroic; it’s simply functional. That’s the subtextual joke - and the hard-earned optimism. Beauty, for Pratt, isn’t the absence of darkness. It’s the brief truce when nothing breaks.
Quote Details
| Topic | Contentment |
|---|---|
| Source | Help us find the source |
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