"It's a fascinating area for me, UFOs have occupied a great part of my life since I was very young"
About this Quote
The line lands with the particular candor of a working actor admitting a lifelong obsession: not a quirky hobby, but a private mythos that’s been running in the background since childhood. Schultz doesn’t dress it up as evidence or activism. He frames it as “a fascinating area for me,” which is careful, almost diplomatic language - a way to own the interest without inviting instant ridicule. In celebrity culture, where every stray belief gets turned into a headline or a punchline, that hedging is a form of self-protection.
Then he swerves into something more revealing: “UFOs have occupied a great part of my life.” That verb, occupied, is doing heavy lifting. It suggests mental real estate taken over, a persistent presence rather than a passing curiosity. The subtext is less “I’ve seen something” and more “this has shaped how I look at the world.” Coming from an actor - someone whose job is to inhabit alternate realities and make the implausible feel emotionally legible - the obsession reads as both personal and vocational. UFOs are narrative engines: mystery, dread, wonder, conspiracy, longing. They’re also a culturally sanctioned way to talk about the unknown without getting too naked about faith, fear, or loneliness.
Context matters: Schultz came of age in the post-Roswell, Cold War decades when UFOs sat at the intersection of technology anxiety and cosmic hope. His phrasing taps that era’s mood while still sounding like a modern fan admitting, quietly, that the question never stopped haunting him.
Then he swerves into something more revealing: “UFOs have occupied a great part of my life.” That verb, occupied, is doing heavy lifting. It suggests mental real estate taken over, a persistent presence rather than a passing curiosity. The subtext is less “I’ve seen something” and more “this has shaped how I look at the world.” Coming from an actor - someone whose job is to inhabit alternate realities and make the implausible feel emotionally legible - the obsession reads as both personal and vocational. UFOs are narrative engines: mystery, dread, wonder, conspiracy, longing. They’re also a culturally sanctioned way to talk about the unknown without getting too naked about faith, fear, or loneliness.
Context matters: Schultz came of age in the post-Roswell, Cold War decades when UFOs sat at the intersection of technology anxiety and cosmic hope. His phrasing taps that era’s mood while still sounding like a modern fan admitting, quietly, that the question never stopped haunting him.
Quote Details
| Topic | Science |
|---|---|
| Source | Help us find the source |
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