"It's a very hard and competitive business in which you have to fight every day in order to impose yourself"
About this Quote
Fashion sells ease: the effortless stride, the airbrushed serenity, the idea that beauty is a natural resource that simply shows up on time. Karolina Kurkova punctures that fantasy with a blunt admission of labor. “Hard and competitive” isn’t motivational-poster grit; it’s an industry reality check from someone whose job is often misread as being chosen rather than choosing, being looked at rather than doing.
The key verb is “impose.” It’s slightly abrasive, even political. Kurkova isn’t talking about “expressing yourself” or “being discovered.” She’s describing visibility as something you force into existence against a system designed to treat models as interchangeable. In a market that constantly refreshes its faces and trends, staying employed means becoming a brand with a point of view: recognizable walk, workable reputation, strategic relationships, a body maintained as if it’s a company asset. That’s the daily fight she’s naming, not in melodramatic terms but in the plain language of someone who understands that beauty is only the entry ticket.
There’s subtext here about power and agency. Modeling is one of the few glamorous professions where youth and replaceability are structural, not incidental. To “impose yourself” is to resist being reduced to a mannequin for other people’s ideas; it’s to insist on presence, rates, boundaries, longevity. The line also pushes back against the cultural myth that success in fashion is a fairy tale of luck. Kurkova frames it as work with consequences, and that framing is its quiet provocation.
The key verb is “impose.” It’s slightly abrasive, even political. Kurkova isn’t talking about “expressing yourself” or “being discovered.” She’s describing visibility as something you force into existence against a system designed to treat models as interchangeable. In a market that constantly refreshes its faces and trends, staying employed means becoming a brand with a point of view: recognizable walk, workable reputation, strategic relationships, a body maintained as if it’s a company asset. That’s the daily fight she’s naming, not in melodramatic terms but in the plain language of someone who understands that beauty is only the entry ticket.
There’s subtext here about power and agency. Modeling is one of the few glamorous professions where youth and replaceability are structural, not incidental. To “impose yourself” is to resist being reduced to a mannequin for other people’s ideas; it’s to insist on presence, rates, boundaries, longevity. The line also pushes back against the cultural myth that success in fashion is a fairy tale of luck. Kurkova frames it as work with consequences, and that framing is its quiet provocation.
Quote Details
| Topic | Business |
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