"It's about finding great artists and being part of their careers"
About this Quote
There’s a quiet power in the way this line dodges ego while still centering influence. “Finding great artists” sounds humble, almost like talent-spotting as civic duty, but it’s also a claim to authority: I know what “great” looks like before the crowd does. The phrase turns taste into a form of leverage. In pop and hip-hop ecosystems especially, the people who can identify potential early - and package it into momentum - often shape the culture as much as the performers.
The second half is where the quote gets honest. “Being part of their careers” isn’t the language of a fan; it’s the language of infrastructure. Careers don’t just happen. They’re built out of introductions, financing, studio time, radio relationships, branding, and timing. Edmonds frames participation as a kind of proximity to greatness, but also as authorship-by-association: you may not be the voice on the record, yet your fingerprints are on the arc.
The subtext is that artistry is only half the story; the other half is stewardship. It’s a sentiment that fits a music figure who has moved through roles where control is indirect - producer, label executive, mentor, connector. The intent reads less like romantic talk about “music” and more like a pragmatic mission statement for a hit-driven industry: curate talent, then commit to the long game of turning that talent into a durable narrative. In an era obsessed with “discovering” artists via algorithms, the quote defends human gatekeeping - not as obstruction, but as collaboration with consequences.
The second half is where the quote gets honest. “Being part of their careers” isn’t the language of a fan; it’s the language of infrastructure. Careers don’t just happen. They’re built out of introductions, financing, studio time, radio relationships, branding, and timing. Edmonds frames participation as a kind of proximity to greatness, but also as authorship-by-association: you may not be the voice on the record, yet your fingerprints are on the arc.
The subtext is that artistry is only half the story; the other half is stewardship. It’s a sentiment that fits a music figure who has moved through roles where control is indirect - producer, label executive, mentor, connector. The intent reads less like romantic talk about “music” and more like a pragmatic mission statement for a hit-driven industry: curate talent, then commit to the long game of turning that talent into a durable narrative. In an era obsessed with “discovering” artists via algorithms, the quote defends human gatekeeping - not as obstruction, but as collaboration with consequences.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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