"It's always been a lie that it's difficult to make films"
About this Quote
Lars von Trier lobs this line like a grenade at the sanctified misery of the film industry: the myth that cinema is inherently, nobly hard. Coming from a director who has built a brand on provocation, it reads less as motivational fluff than as a hostile audit of excuses. The intent is to puncture the prestige narrative that surrounds filmmaking, where logistical complexity is recast as moral virtue and budgets become a proxy for seriousness.
The subtext is classic von Trier: difficulty is often manufactured, and sometimes fetishized. If you insist a film must be expensive, technically ornate, and institutionally blessed, then you can treat failure as inevitable and gatekeep who gets to try. Von Trier’s career, especially in the Dogme 95 era, thrived on declaring those “requirements” fraudulent. Strip away the machinery, he suggests, and what’s left is the frightening part: the choices. The story. The exposure. The responsibility of having something to say without hiding behind cranes and color grading.
Context matters because this is also a power move. Von Trier isn’t denying that shoots are grueling; he’s denying that the grind is the point. By calling it “a lie,” he frames the industry’s hardship-talk as ideology: a narrative that protects hierarchies, budgets, and professional mystique. It’s a dare to artists and institutions alike: stop romanticizing production pain, stop confusing effort with meaning, and admit that the real barrier isn’t difficulty - it’s taste, nerve, and honesty.
The subtext is classic von Trier: difficulty is often manufactured, and sometimes fetishized. If you insist a film must be expensive, technically ornate, and institutionally blessed, then you can treat failure as inevitable and gatekeep who gets to try. Von Trier’s career, especially in the Dogme 95 era, thrived on declaring those “requirements” fraudulent. Strip away the machinery, he suggests, and what’s left is the frightening part: the choices. The story. The exposure. The responsibility of having something to say without hiding behind cranes and color grading.
Context matters because this is also a power move. Von Trier isn’t denying that shoots are grueling; he’s denying that the grind is the point. By calling it “a lie,” he frames the industry’s hardship-talk as ideology: a narrative that protects hierarchies, budgets, and professional mystique. It’s a dare to artists and institutions alike: stop romanticizing production pain, stop confusing effort with meaning, and admit that the real barrier isn’t difficulty - it’s taste, nerve, and honesty.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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