"It's always great when you discover someone"
About this Quote
There is a quiet power move embedded in De Palma's offhand line: it flatters the listener with the romance of a first encounter while also reminding you who gets to do the “discovering.” Coming from a director whose career is built on virtuoso set pieces and a canny sense of influence, “discover someone” doesn’t just mean stumbling onto a new actor or filmmaker you like. It implies authorship, curation, and the thrill of anointing - the moment when taste becomes a kind of authority.
The wording is doing sly double duty. “Always great” has the breezy, almost throwaway warmth of a backstage compliment, but “someone” keeps it human rather than transactional. It’s not “a talent” or “a face,” it’s a person - which lets De Palma sound generous even as the industry reality hums underneath: discovery is often a gatekeeping term that masks power imbalances. In Hollywood mythology, the discoverer is the hero, and the discovered is proof the system still has magic.
Context matters because De Palma arrived in an era obsessed with the New Hollywood idea of bold vision and new blood, then spent decades watching that ideal get industrialized into “breakouts” and “next big things.” His line reads like an attempt to preserve the genuine charge of finding a voice before the machine packages it. The subtext: the best moments in cinema still begin as private excitement, not a marketing plan.
The wording is doing sly double duty. “Always great” has the breezy, almost throwaway warmth of a backstage compliment, but “someone” keeps it human rather than transactional. It’s not “a talent” or “a face,” it’s a person - which lets De Palma sound generous even as the industry reality hums underneath: discovery is often a gatekeeping term that masks power imbalances. In Hollywood mythology, the discoverer is the hero, and the discovered is proof the system still has magic.
Context matters because De Palma arrived in an era obsessed with the New Hollywood idea of bold vision and new blood, then spent decades watching that ideal get industrialized into “breakouts” and “next big things.” His line reads like an attempt to preserve the genuine charge of finding a voice before the machine packages it. The subtext: the best moments in cinema still begin as private excitement, not a marketing plan.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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