"It's changing a bit, but the thing in LA is everyone is either in the industry, or knows someone who is in the industry. So, they don't let on that they recognize you, that's what I've found out"
About this Quote
LA runs on a peculiar currency: proximity. Catherine Bell’s observation isn’t really about celebrity so much as the city’s etiquette of power, where recognition is never just recognition - it’s a negotiation. In a place where “everyone is either in the industry, or knows someone who is,” fame stops being exceptional and becomes ambient. That saturation produces a kind of practiced nonchalance: people “don’t let on” because letting on would admit hierarchy, desire, or opportunism. Pretending not to notice is a way of saying: I’m not impressed, I’m not needy, I’m not trying to get something from you. Even if, of course, they might be.
The subtext is defensive on both sides. For the famous, constant acknowledgment can feel like being reduced to a commodity: a face that triggers other people’s stories, ambitions, and projections. For the not-famous-but-adjacent, over-eagerness reads as amateur. LA punishes amateurism. So the social move is to act like you belong in the same room, even if you’re only there by association. It’s a performance of equality in a city built on status.
Bell’s “that’s what I’ve found out” carries the mild astonishment of someone mapping an ecosystem in real time. There’s also a quiet loneliness baked into it: when recognition is withheld as politeness, you’re denied the basic human feedback loop of being seen. The quote captures LA’s signature paradox - intimacy without acknowledgment, familiarity without warmth - and how fame, there, becomes just another networking condition.
The subtext is defensive on both sides. For the famous, constant acknowledgment can feel like being reduced to a commodity: a face that triggers other people’s stories, ambitions, and projections. For the not-famous-but-adjacent, over-eagerness reads as amateur. LA punishes amateurism. So the social move is to act like you belong in the same room, even if you’re only there by association. It’s a performance of equality in a city built on status.
Bell’s “that’s what I’ve found out” carries the mild astonishment of someone mapping an ecosystem in real time. There’s also a quiet loneliness baked into it: when recognition is withheld as politeness, you’re denied the basic human feedback loop of being seen. The quote captures LA’s signature paradox - intimacy without acknowledgment, familiarity without warmth - and how fame, there, becomes just another networking condition.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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