"It's definitely time to stop. We're getting too old. We both realised that the show wasn't as engaging as it used to be. We were starting to look a bit ridiculous"
About this Quote
A rare kind of celebrity honesty lives in that blunt “It’s definitely time to stop”: not the melodramatic farewell tour, not the coy “we’ll see,” but the adult admission that the engine isn’t firing the way it used to. Edmondson’s power here is his refusal to mythologize comedy. He frames ending a show as maintenance, not tragedy, which is bracing in an entertainment culture built to stretch brands past their sell-by date.
The key phrase is “we both realised.” It signals an internal pact, a shared reckoning rather than a public defeat. That collective “we” does quiet work: it protects the relationship, spreads responsibility, and keeps the decision from becoming a narrative of one person “getting pushed out.” Then comes the double hit of age and quality control. “Too old” isn’t only about bodies; it’s about timing. Comedy, especially the kind Edmondson is associated with, relies on charge, velocity, a sense of mischief that reads as thrilling at one stage of life and as cosplay at another.
The subtext in “wasn’t as engaging” is almost kinder than “not funny anymore.” Engaging is broader: it admits changing tastes, fatigue, maybe even a cultural shift that made the old rhythms harder to land. “Starting to look a bit ridiculous” is the punchline and the self-defense. By naming the potential embarrassment himself, Edmondson steals it from critics. He makes quitting an act of craft: knowing when the joke’s done, and walking offstage before the audience does.
The key phrase is “we both realised.” It signals an internal pact, a shared reckoning rather than a public defeat. That collective “we” does quiet work: it protects the relationship, spreads responsibility, and keeps the decision from becoming a narrative of one person “getting pushed out.” Then comes the double hit of age and quality control. “Too old” isn’t only about bodies; it’s about timing. Comedy, especially the kind Edmondson is associated with, relies on charge, velocity, a sense of mischief that reads as thrilling at one stage of life and as cosplay at another.
The subtext in “wasn’t as engaging” is almost kinder than “not funny anymore.” Engaging is broader: it admits changing tastes, fatigue, maybe even a cultural shift that made the old rhythms harder to land. “Starting to look a bit ridiculous” is the punchline and the self-defense. By naming the potential embarrassment himself, Edmondson steals it from critics. He makes quitting an act of craft: knowing when the joke’s done, and walking offstage before the audience does.
Quote Details
| Topic | Aging |
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