"It's discouraging to think how many people are shocked by honesty and how few by deceit"
About this Quote
Coward’s line is a cocktail-dry lament dressed as a one-liner: the real scandal isn’t lying, it’s truth-telling. He flips the expected moral hierarchy and, in doing so, indicts the audience more than the deceiver. The “discouraging” isn’t melodrama; it’s the weary sigh of a playwright who’s watched polite society clutch pearls at candor while giving cons, affairs, and hypocrisies a quiet pass as long as everyone keeps smiling.
The quote works because it treats “honesty” as the transgressive act. That’s the subtext: deceit is not merely common; it’s socially functional, an unspoken lubricant that keeps reputations intact and conversations civil. Honesty, by contrast, is disruptive. It forces choices, exposes complicity, and makes people accountable for what they prefer to leave politely unexamined. Coward’s precision is in the asymmetry: “how many” versus “how few” suggests not a personal grievance but a cultural pattern, almost a statistical inevitability.
Context matters: Coward wrote for and about a world of performance, not just onstage but in drawing rooms and bedrooms. His era’s codes around class, sexuality, and decorum rewarded discretion and punished bluntness. So the line doubles as a defense of the artist’s role. The playwright, like the honest person, violates the social contract by naming what everyone is managing not to say. The joke lands because it’s true, and it stings because it’s about us: we don’t fear deceit, we fear the consequences of truth.
The quote works because it treats “honesty” as the transgressive act. That’s the subtext: deceit is not merely common; it’s socially functional, an unspoken lubricant that keeps reputations intact and conversations civil. Honesty, by contrast, is disruptive. It forces choices, exposes complicity, and makes people accountable for what they prefer to leave politely unexamined. Coward’s precision is in the asymmetry: “how many” versus “how few” suggests not a personal grievance but a cultural pattern, almost a statistical inevitability.
Context matters: Coward wrote for and about a world of performance, not just onstage but in drawing rooms and bedrooms. His era’s codes around class, sexuality, and decorum rewarded discretion and punished bluntness. So the line doubles as a defense of the artist’s role. The playwright, like the honest person, violates the social contract by naming what everyone is managing not to say. The joke lands because it’s true, and it stings because it’s about us: we don’t fear deceit, we fear the consequences of truth.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Quoted attribution: Noel Coward — line appears in quotation compendia; listed on Wikiquote (Noel Coward) as “It's discouraging to think how many people are shocked by honesty and how few by deceit.” |
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