"It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim"
About this Quote
Root’s self-described “dimness” reads less like self-deprecation than a performer’s quiet manifesto: comedy, for him, isn’t a mask he puts on, it’s the default setting. When he says it’s “easier to play a dim character,” he’s admitting that certain roles don’t require invention so much as calibration. The punchline is that he’s an actor famous for disappearing into characters, yet he frames his craft as an act of subtraction: let the brainy, strategic parts go quiet and follow the joke’s gravity.
The real tell is his distinction between “dim” and “crafty.” “Crafty” implies a character with an agenda, someone who is always maneuvering. Root treats that as foreign territory, something he’d need to “go outside” to research, like sourcing a dialect. That’s a revealing bit of actor-speak: he’s mapping personality onto technique. Comedy becomes instinctual timing and openness; craftiness becomes architecture, motive engineering, a kind of narrative math.
In context, this tracks with the Root brand - the guy who can make a beige office drone (Office Space) or a panicked authority figure (Barry) feel startlingly human. His “pretty dim” isn’t about intelligence; it’s about allowing characters to be uncomplicated on purpose. It’s a defense of sincerity in a culture that prizes the wink. Root’s subtext: the funniest people aren’t always the cleverest on the page; they’re the most available in the moment.
The real tell is his distinction between “dim” and “crafty.” “Crafty” implies a character with an agenda, someone who is always maneuvering. Root treats that as foreign territory, something he’d need to “go outside” to research, like sourcing a dialect. That’s a revealing bit of actor-speak: he’s mapping personality onto technique. Comedy becomes instinctual timing and openness; craftiness becomes architecture, motive engineering, a kind of narrative math.
In context, this tracks with the Root brand - the guy who can make a beige office drone (Office Space) or a panicked authority figure (Barry) feel startlingly human. His “pretty dim” isn’t about intelligence; it’s about allowing characters to be uncomplicated on purpose. It’s a defense of sincerity in a culture that prizes the wink. Root’s subtext: the funniest people aren’t always the cleverest on the page; they’re the most available in the moment.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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