"It's fun to play the character and then watch him later"
About this Quote
There is a quiet split-screen inside Michael Shanks's line: the rush of inhabiting a role, and the cooler pleasure of watching that invented person live without you. "It's fun" sounds casual, but it's doing work. Acting is often sold as intensity, catharsis, transformation. Shanks frames it as play, a reminder that the craft is closer to building a machine that can run convincingly than to bleeding on cue.
The phrasing "the character" and then "him" matters, too. The character starts as a job description; by the end of the sentence he's a separate being. That pivot hints at the actor's central trick: you create a coherent human out of choices, then you step away and let the edit, the lighting, the music, and the audience finish the illusion. Watching "him later" isn't vanity so much as quality control and curiosity. Did the performance read the way it felt? Did the character's logic survive the camera's unforgiving intimacy?
The subtext is a defense against the stereotype of actors as self-absorbed. Shanks is describing distance, not narcissism: the ability to detach, to see your work as material. In a TV context (where Shanks is best known), that distance becomes survival. Long runs demand repeatable decisions, not perpetual emotional excavation. The fun is partly in the act, partly in the afterimage - the strange, slightly uncanny moment when the person you invented becomes someone you can only observe.
The phrasing "the character" and then "him" matters, too. The character starts as a job description; by the end of the sentence he's a separate being. That pivot hints at the actor's central trick: you create a coherent human out of choices, then you step away and let the edit, the lighting, the music, and the audience finish the illusion. Watching "him later" isn't vanity so much as quality control and curiosity. Did the performance read the way it felt? Did the character's logic survive the camera's unforgiving intimacy?
The subtext is a defense against the stereotype of actors as self-absorbed. Shanks is describing distance, not narcissism: the ability to detach, to see your work as material. In a TV context (where Shanks is best known), that distance becomes survival. Long runs demand repeatable decisions, not perpetual emotional excavation. The fun is partly in the act, partly in the afterimage - the strange, slightly uncanny moment when the person you invented becomes someone you can only observe.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
More Quotes by Michael
Add to List



